Length
in sentence
1457 examples of Length in a sentence
Remarkably, even at almost two hours in
length
Tiempo de Valientes doesn't wear out its welcome, and indeed writer-director Damian Szifron sets up a potential sequel in the film's charming coda.
While the added
length
serves to heighten the film's forgivable flaws: uneven character development and blanket stereotyping in particular, another possible flaw (the insistence on the white characters' fate over that of the African ones) may work out as a strength.
In his autobiography Wilding wrote at
length
of his great regard for Herbert Wilcox the director and instigator of this London series of films.
"The Garden of Allah" was one of the first feature length, 3-strip Technicolor films.
It is no more than a sitcom in
length
and complexity.
Parker and Stone transplant their pacy expletive-ridden humour from their animated masterpiece to a feature
length
live action film with generally good results.
There are so few feature
length
films that come close to satisfying Kant's description of what art is, namely the enjoyment of the power of judgment itself instead of simply subsuming experiences under concepts.
Making it a full and complete version fills so many holes and allows for new appreciation of the tragedy despite the
length.
There are no wasted scenes, so the film's
length
is a bit short.
In the 1930s studios would use short films like this one sort of as testing grounds for new actors, given their relative ease of production in comparison with full
length
feature films, so it's interesting that this one should star Shirley Temple, who had long since established herself as The Most Famous Child Star of All Time.
I saw it as a full
length
movie in 2006.
Buster Keaton was finding his feature
length
voice in "Three Ages."
I have yet to see the feature
length
movie but I have heard good things and bad things so I will reserve judgement.The original radio series from which LOG came was as innovative as the TV series became.
I have seen the film a few days back on a video tape and even though it was hard to swallow it at one take (because of its
length
and story), I liked it very much.
I'm too damn old for it now, and the arthritis in the hands and hips mean no more rocking, but for the
length
of that video, it all came back, and it was all there!
Chasing the big murder case, you will see these detectives go to every
length
to solve the crime.
Mother Night is a very good Vonnegut novel, and most certainly one of his easiest novels to adapt into a feature
length
film.
Like I said, as a Jane Austen fan there were things I would have liked to have seen included that weren't but that would have made it much longer than permissible for a feature
length
film and as it was I felt they really encapsulated the story well.
Of course, this shortens the movie to a
length
of about 15 minutes.
The mystery has some glaring flaws which do detract somewhat, and I was not wholly satisfied with the ending, but watching Caine and Reeve under Lumet's direction with Levin's elevated verbiage was enough to ensnare my interest and keep it captive the entire
length
of the film.
A toothsome little potboiler whose 65-minute
length
doesn't seem a second too short, My Name is Julia Ross harks back to an English tradition of things not being what they seem -- Hitchcock's The Lady Vanishes is one example.
De Palma's movie makes a really good case that style, when handled properly, can sustain a feature
length
film.
If there is a message to this film- and I'd hope that the message would come only after the fact of what else this Ben-Hur
length
feature has to offer- it's that in order to love, honestly, there has to be some level of happiness, of real truth.
Not one the
length
of Gojoe though, even though it had some of the most remarkable cinematography I've seen since the Korean period piece MUSA.
The gore effects are nicely done and there's interesting steady cam work to be found here (I hear the director went on to work for James Cameron), but the epic
length
and the stupid plot of this film prevent this from being a success.
It is of course a transcription of an English stage-play, but AR did not choose it blindly, he must be on the same wave
length
(or shortcut) with Alan Ayckburn.
It is already a very short movie and the
length
it is is already too long.
A real gem but keep it at arms
length.
As pointed out in the other review that I wrote about the 1935 version of Les Miserables, that film version is the best normal screen
length
film version.
The 126 minutes
' length
hints of a genre-piece that can't stop itself: the director wrote twice as many fainting scenes, dream sequences, and face-offs between heroine-villain as any film could sustain, and then left in every damned one of them.
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