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Herself in sentence

3547 examples of Herself in a sentence

He's no loser, the theme song assures us, he just 'doesn't ever win.' Scrubbing windows up and down Merrie England, he looks into a bedroom and sees a badly edited film of some nude girl oiling herself.
She is very professional in acting and gives herself totally for a role.
It makes us to identify with its main heroine, the orphan herself who after many years comes back to the very house she used to share with her childhood friends, also orphans and where she wants to open the house for the handicapped children.
Introducing herself to Robbi's co-workers is deliciously unbelievable as Teri waltzes into the employee break room and shakes hands with people she already knows.
In the novel, Janie's finding Tea Cake is heartening because it is a symptom of her growth into a woman who can lead herself and has the strength to find and believe in that sort of love.
Midler proves herself to be a powerful actress, but the film;m really comes alive during the musical sequences with "When a Man Loves a Woman" and "Stay With Me Baby" as definite standouts.
Never let your 14 year old go to the movie rental place by herself to pick the movie.
Even though she is dying to have a baby herself, she supports Jacey, directs her to a support group for teen-age mothers, and you see Jacey becoming stronger, even bringing the support group to her school to talk about the consequences of teen-age pregnancy and motherhood, and admitting to her classmates that little Charlie is really her son.
And how could a magnificent actress like Eva Marie Saint get herself mixed up in this crap?
Nora cannot control herself and standing up gives a speech in defence of the working class in front of that rich and powerful jewish family.
Kleptomaniac Gene Tierney finds herself under the spell of wacky hypnotist Jose Ferrer and is soon doing his evil bidding.
Corrine doesn't die until 'If there be Thornes' which is the third book in the series and even then she is allowed to redeem herself a little by saving Cathy.
I thought to myself "maybe it's just misunderstood to those unfamiliar with Ellroy's novel" But frankly, it just never felt right,,, and then it went more and more uncomfortably wrong; the actors in their roles, the soundtrack vs. certain scenes, the story fumbling it's way around with not enough mention of The Dahlia herself (which really drove the characters in the novel).
Hard up for laughs, Long is written as a klutz, who trips, falls, spills, slides, and even at one point, undresses herself while trying to walk stairs.
It interesting though how the story also tries to balance itself by introducing new ideas on what is and is not divine and even this element was clumsily and randomly introduce as plot elements, from Faye Dunaway's character fumbling with the vile of "blood" to Joan herself seeing "visions" Dustin Hoffman's performance was fair but totally unnecessary the film could have limped on without him.
Joan rationalizing with herself would have been much more believable then this.
Instead of showing appreciation for his efforts to save the lives of her and her family, however, Houston proceeds to fight him at every turn, insulting him, mocking his attempts to turn her house into a secure area and generally making a complete ass of herself, and her attitude spreads to her entourage and hangers-on, all of whom turn on Costner.
This one was about an 18 year old girl who didn't have a Sweet 16..so she is making it up for herself by having a sweet 18.I read the reviews here and most of them were talking about how rude these brats are to their parents.but
Here she plays Mary, naming herself Lola, a girl who leaves New York, the city she loves, and moves to New Jersey with her mother and two little sisters.
She seems very sure of herself, but we understand that is only on the surface.
It played out like a soap opera rather than a slasher film, and I had to listen to endless talking between the two girls about how one of them should leave her boyfriend and stand up for herself...etc.
It's a kind of hidden suspense... Ludivine (who plays Julie) is a beautiful, well shaped young girl, with a marvelous body, but even Charlotte Rampling is outspoken and gave herself to the film and to the director, Francois Ozon.
Then she walks in a theater and sees herself on the screen.
From Demi Moore's attempt to give herself an abortion with knitting needles to a pro-life crowd outside a clinic, If These Walls Could Talk provides powerful images and intriguing characters.
The movie as a whole, from the unusual abduction to the plight of the sadistically minded heroine fighting the kidnapper and herself, brings a vision to the screen that holds both a humorous and twisted tone.
The end result is a mass of confusion which attempts to focus on Jane Austen's book "Mansfield Park", biographical sketches of Jane Austen herself, as well as an historical look back at black slavery issues simultaneously and doing none justice.
oh wait, she had like a half week to do it herself but she didn't.
Dorothy Gilman's book, "The Unexpected Mrs. Pollifax", becomes wan vehicle for the winded Rosalind Russell, who adapted the screenplay herself under the pseudonym C.A. McKnight.
The crew exists of a reluctant reporter who considers his trip to Burundi as a punishment for ruining a previous assignment, a new and ambitious female reporter who desperately wants to prove herself, the 'token-black-guy' cameraman, the overly self-confident expert who thinks he's even better than Steve Irwin (RIP) and of course the introvert guide who has a personal score to settle with Gustave.
Although there is a credited director, Ranald MacDougall (whoever that was), it is apparent that he was either missing in action or was afraid of Joan, who stomps through her scenes like a bull in a china shop, obviously directing herself.
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