Example collocations logo

Gypsy in sentence

199 examples of Gypsy in a sentence

And he's disappeared, this mad French gypsy actor, off in the smoke, and I realize, I can't go back the way that I've come.
Into a happy household comes the gypsy girl, played by Myrna Loy.
Once you've taken in Myrna Loy's performance as Nubi the hot-blooded gypsy girl you're not likely to forget the experience.
Foolish hikers go camping in the Utah mountains only to run into a murderous, disfigured gypsy.
Despite Paz Vega is very beautiful, she doesn't seem a gypsy (as Carmen is) and neither her acting nor Sbaraglia's are good.
Melodramatic in story and acting, today it seems ludicrous, particularly the casting of Myrna Loy as Nubi, a seductive gypsy.
The direction also relies way too much on the conceits of a pointlessly whispered narration, and the imagery of an 18th century chess-playing machine that looks like one of those animatronic gypsy fortunetellers you see at the carnival.
Silly comedy casts an embarrassed-seeming Ray Milland as a British officer in World War II Europe escaping German confines and taking up with a man-hungry gypsy woman, played by Marlene Dietrich.
The romance was not believable; the characters were not developed; the love affair made hardly any sense; it was miscast; and scenery was absolutely stupid because it was either (my opinion) like the ADAMS FAMILY GOES ON VACATION...just creepy, gypsy and cheesy; and the OUTERBANKS does not look typically like those houses on the surf; and who would spend the night in one during a hurricane if it was not theirs.
Shot entirely on location in Bulgaria, The Man With The Screaming Brain is a hilarious love story between two rich ugly-American types and a murderous hotel maid gypsy.
Milland disguises himself as a gypsy in order to hide from the Germans, but he remains committed to his mission, to do with locating the scientist who knows the formula for a new poison gas but who also isn't a committed Nazi.
The Hollywood take on gypsy life and customs is predictably portrayed, but the underlying knowledge that they would be one of the targets for extermination by the Nazis adds a certain tension.
What makes this documentary special from a film-making perspective is its passiveness; which engages the audience to bask in the delight of gypsy music.
The idea of a 40-something Marlene Dietrich as a gypsy in a war-time romance seemed unusual, and implausible.
Even for the non-opera loving public the name CARMEN is immediately recognized as an opera by Bizet about a gypsy girl whose capricious loves destroy men.
But as much as the opera is now considered a staple in every opera house repertoire, the real story of the wild gypsy lass as created by Prosper Mérimée in 1845 has never been told as well as in this cinematic version by the abundantly gifted Spanish director Vicente Aranda ('Juana la Loca AKA Mad Love','Amantes', 'If they tell you I fell', etc.).
Incorporating the author of the novel as a main character seeking the story of Carmen from one of her lovers - José - provides just the right vantage for the story of this famous gypsy wild lady to be told.
The premise of the story revolves around a fat lawyer, always on a diet, who "accidentally" kills an old gypsy woman.
The father of the dead gypsy woman places a curse on the 3, with our main character, Billy (the lawyer) getting thinner and thinner by the day.
Some people like 'em that way, as did Gene's gypsy queen character.
Uma Thurman plays Sissy, a young woman with a gypsy spirit (and freakishly large thumbs) who hitchhikes cross-country, eventually finding her true place amongst a group of peyote-enlightened cowgirls on a ranch devoted to preserving the Whooping Crane; Rain(bow) Phoenix is their lesbian leader, Bonanza Jellybean, who falls in love with Sissy, thumbs or not.
Despite some moments in heavy rain, an encounter with a drunk as well as an organ grinder with a gypsy and a monkey, and a stay in a sanitarium, this Roscoe "Fatty" Arbuckle silent comedy short with support from Buster Keaton and Al St. John is only fitfully amusing though there is a quite funny sequence of Arbuckle in drag flirting with Buster that's the ultimate in "meet cute" scenes especially since it's one of the few times we see The Great Stone Face smile and laugh in the movies!
Before it's all over even Gaston Modot, the jealous gamekeeper in Rules, puts in an appearance -- as a gypsy capo, no less!
It was only 2 hours long and didn't have many important scenes from the book (such as my favorite gypsy scene).
Of course, Curtis being a phony he seeks help himself, first from Stella Stevens' gypsy and then, deciding to fight fire with fire, Michael Ansara's medicine man.
Chaney is brilliant and Crawford is fine as the man-fearing gypsy girl.
The funniest scene is the gypsy scene which I had not seen in the film version in 1996 and was a welcome surprise.
Instead he is depicted as a child of nature,almost a gypsy,born to country ways and in almost Buddhist-like commune with wild animals.
The legendary performer plays Alonzo, whose act in a gypsy circus involves throwing knives - no mean feat, since he happens to be armless.
The action, singing and dancing are compressed into the lines of flamenco dances as tightly as pure emotion can be condensed into a sonnet, or any other strict form, and yet they transcend with the freedom of the gypsy spirit, if you but open yourself to the experience.
Next