Gothic
in sentence
211 examples of Gothic in a sentence
The last episode shown called "Blink" has elements of
Gothic
horror all to do with statues that aren't quite what they seem.
Based on the Korean folk tale Jangha and Hongryun, Kim Ji-woon's brilliant
Gothic
horror story A Tale of Two Sisters revolves around two sisters, Soo-mi (Lim Su-jeong), and Soo-yeon (Mun Geon-yeong), who are part of a dysfunctional family that live together in a creepy Victorian-style mansion.
Very
Gothic
and atmospheric.
"Gothic"
was entertainment at least, this is crap.
Don't waste your time or money unless you feel like watching a bunch of youngsters in a as-grown-up kind of
Gothic
setting, where a killer is going after them.
I've read criticism of the early 90's version, "Emily Bronte's Wuthering Heights" which featured Ralph Fiennes and Juliette Binoche, saying that it turned an intensely dark,
Gothic
story into a sudsy bodice-ripper.
Audiences responded well to that gorgeous,
Gothic
horror film.
Hines and Goforth, the perpetrators of this crime, begin on the wrong foot first step, by assuming that Wells wrote
Gothic
horror and that all of his lines are meant to be taken seriously.
The Horror Channel plays nothing but erotic soft porn
Gothic
flicks each night from 10pm till about 4 in the morning, but their 'scare' factor is very limited, if one exists at all.
The only redeeming quality I could find in this movie was that the artifacts looked authentic enough to pass for medieval or
Gothic
period pieces.
Assuming that movies about aristocrats with weird fetishes, castles drowned in
gothic
atmosphere, and back-stabbing relatives trying to get their hands on an inheritance are inherently interesting to all!
"Castle Of Blood" of 1964 is a beautiful and incredibly haunting masterpiece of Italian
Gothic
Horror, and after Mario Bava's "La Maschera Del Demonio" (aka.
Italy's number 2 in the field (right after Mario Bava), Director Antonio Margheriti is one of the all-time masters of
Gothic
Horror, and "Castle of Blood" is doubtlessly his greatest achievement.
As a great fan of the Hammer Studios
' Gothic
Horror films for many years, I wonder what took me so long to finally start watching the series quite recently.
The entire team must have forgotten to read it through, maybe because they were too busy creating cg effects and building
gothic
sets to notice how weak the plot was.
This is the token moody period
Gothic
horror entry from the bunch.
Emilio Miraglia's first Giallo feature, The Night Evelyn Came Out of the Grave, was a great combination of Giallo and
Gothic
horror - and this second film is even better!
We've got more of the Giallo side of the equation this time around, although Miraglia doesn't lose the
Gothic
horror stylings that made the earlier film such a delight.
These four stories are brought to you in a wonderfully
Gothic
atmosphere, and with one of the finest ensemble casts imaginable.
The opening scenes laces liberal amount of
gothic
art nuveau, predating Batman by two decades.
Before films like 'The Texas Chainsaw Massacre,' 'Suspiria,' and 'Halloween' changed the view of horror forever, there was a more
Gothic
and far less violent era in the genre.
Nina Foch delivers a surprisingly strong performance as the title character in this fun little
Gothic
nail-biter.
Strangely erotic schlock
Gothic
horror that will be loved by Hammer House of Horror fans the world over.
This 65 minute
Gothic
oddity from Columbia Pictures came after Lewis' lengthy apprenticeship as the helmer of a string of poverty row westerns, East Side Kids comedies, horror melodramas (including the incredibly bizarre Bela Lugosi shocker THE INVISIBLE GHOST) and standard studio B product (SECRETS OF A CO-ED, BOMBS OVER BURMA, THE FALCON IN SAN FRANCISCO, etc)---all of which set the stage rather nicely for what was to come from the enormously talented and inventive Mr. Lewis.
This show lived up to the
"Gothic"
moniker in ways American entertainment has so seldom attempted, much less mastered.
KELLS is so lavish -- almost
Gothic
in its layout (somewhat reminiscent of Klimt), wonderfully flat in general overall perspective, ornate in its Celtic & illuminated design, yet the characters are so simplistic and appealing -- AND it all works together beautifully.
Antonio Margheriti's "Danza Macabra"/"Castle of Blood" is an eerie,atmospheric chiller that succeeds on all fronts.It looks absolutely beautiful in black & white and it has wonderfully creepy
Gothic
vibe.Alan Foster is an English journalist who pursues an interview with visiting American horror writer Edgar Allan Poe.Poe bets Foster that he can't spend one night in the abandoned mansion of Poe's friend,Thomas Blackwood.Accepting the wager,Foster is locked in the mansion and the horror begins!The film is extremely atmospheric and it scared the hell out of me.The crypt sequence is really eerie and the tension is almost unbearable.Barbara Steele looks incredibly beautiful as sinister specter Elisabeth Blackwood."Castle of Blood" is easily one of the best Italian horror movies made in early 60's.A masterpiece!
Altman creates a suspenseful,
Gothic
atmosphere but the script is weak.
Overall, on the 1-10 scale, this movie scores an 8 for those who like the southern
gothic
genre (ie: "Body Heat" or "Midnight in the Garden of Good and Evil"), and about a 5 for those who don't.
If you're a fan of
Gothic
horror, then you're definitely absolutely guaranteed to LOVE this wondrous Italian 60's film "Castle of Blood".
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