Followed
in sentence
3631 examples of Followed in a sentence
Lambert coerced Bascom into swindling friends in Iowa, and Bascom has
followed
him into Mexico to force him to pay up.
The original movie version (SWEENEY TODD, THE DEMON BARBER OF FLEET STREET, starring Tod Slaughter) of George Dibdin-Pitt's stage play came out in 1936 and was
followed
by the popular Stephen Sondheim musical and many inferior Z movie copies from the likes of Herschell Gordon Lewis and Andy Milligan.
Ace Ventura: When Nature Calls
followed.
The crew
followed
these actors for 8 months and then edited for over a year, and it shows.
However, in defense of David Lynch, for one who has
followed
a number of his films Inland Empire holds a coherent and linear narrative, and one that most novice Lynch viewers can follow with a few pointers.
It was like a syndicated series, as each episode
followed
on from the one previous.
I am a big Don Juan and Migel fan, I love their renaissance shows and have
followed
them around to several fairs.
Followed
his career since his first movie "Class" - lots of sex scenes in that movie!!!!!
i'm very glad she
followed
my advice.
The picture is a splendid British film concerning about historic deeds in WWII,the naval battle in the South Atlantic between British cruiser squadron of three ships and the German pocket battleship Admiral Graf Spee, Dic 1939 ;the protagonists and secondaries are incarnated by a magnificent plethora English actors.The film is based on true events ,these are the following: Though the British cruisers were no match for the battleship,Admiral Sir Henry Harwood(Anthony Quayle) launched an attack to Graf Spee(with 6 cannons,280 mm).German fire seriously damaged HMS Exeter(John Cregson,captain Bell)with cannons 203mm,put half of HMS Ajax(captain Woodhouse, Ian Hunter)'s guns out of action,and then damaged Achilles(cannons 152 mm),but the cruisers did sufficient damage to the German ship to make its captain break off and run for shelter in Montevideo,Uruguay.The British followed,and waited in international waters outside the neutral port.The Uruguay government ordered the Germans to leave after 72 hours.The British cruisers named Royal and Renown were near from Montevideo and Langsdorff(Peter Finch) didn't wait possibilities to vanquish.Hitler,reluctant to risk the Graf Spee being sunk by heavier British warship which were sailing for the River Plate ,ordered the captain to scuttle the vessel.He did so 17 Dec 1939 and three days later shot himself.The film contains a colorful and glimmer cinematography by Christopher Challis.The movie is well produced(with the Archers production)and directed by Emeric Pressburger and Michael Powell.The motion picture will like to warlike genre fans and classic British cinema.
The acting, especially by the lead actress Jade Henham, is atrocious, and it looks like the director (if there was one) just pointed a camera on her and
followed
what they thought was some kind of interesting life of this character.
it
followed
the most basic of plot lines, but what i loved about it was the acting, writing, and directing, because those were what made Angus extraordinarily good and unique.
As I sat in the theater, two things kept crossing my mind: Is this really the same Julie Deply I know from Blue (1993);
followed
by: has it been 93 minutes yet?
Furthermore, it was stage dramas like this and Dead End which helped the gangster film bounce back from the censorship that
followed
Scarface, Public Enemy and Little Caesar.
Then, we have Memento moments of going backwards in one part of the film, also parallel actions without interaction as in David Lynch films and all this cheep mishmash is
followed
by pale and somehow drunk zombies that look like bad navigated extras on the poor stage.
Beautiful, young, Virginie Ledoyen is
followed
with a video cam as she argues with her boyfriend then takes a job as a chambermaid dealing with various personalities and rebuffing passes from her boss.
The film has one of the... no... it has THE most sickly, honeyed endings in the history of cinema,
followed
by a second ending, just as ridiculous as the first one.
Also, while made in the midst of the Universal horror period, it demonstrates some of the best elements of that genre, however it also pre-figures the oncoming decade of sci-fi flicks of the 50s, but with a more intelligent, and mysterious, plot than most of the B sci-fi films that
followed.
To think that so many of the cast might have died during the years that
followed
as a direct result of the locations used for this film adds a more serious undertone to it all.They really need not have bothered making this tosh.
I recommend to all to look at, even to the children, although it is sad and too heavy for them, because it is an example to be
followed
for all, children and adults.
Stillman's first in his trilogy, this sets the standard for the offbeat banter and dialogue of the two films that followed, "Barcelona," and "The Last Days of Disco."
This film adaptation of said book
followed
two years later.
Man, does this extremely cheap and crummy clunker strike out something rotten in every conceivable department: Sisworo Guatama Putra's flat, fumbling (mis)direction, the poky pace, Imam Tantowi's by-the-numbers hackneyed and predictable cookie cutter script, the slipshod editing, the bland acting, Lee Fioole's sub-par cinematography, the dreadful dubbing, precious little nudity, several poorly staged action scenes (in one especially unimpressive scene a native feebly wrestles with a python), the mild gore, Gatot Sudarto's mostly insipid, only sporadically lively score, a pitifully dumb and nonexplicit attempted rape that's
followed
by an equally lousy off-screen castration, and the colorless, unappealing main characters (Rita in particular is insufferably whiny) all leave a great deal to be desired.
Followed
by 4 script-free episodes the first episode had inspired millions worldwide.
The first movie should appeal to children under the age of 8 and had one decent villain
followed
by the worst $0.02 CGI transformation sequence in the history of mankind.
They
followed
the tone of part two too closely.
One truly bad judgment call is where there was a love scene with Teri Garr and Raul Julia
followed
by one with Fredric Forrest and Nastassja Kinski.
But her husband
followed
her.
Later Mun-ho bathes and cleanses her of impurity,
followed
by sexual intercourse and the professing of his true love for her.
This is
followed
by an opening scene that could have been taken from COPS or a really bad porno flick.
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