Fluid
in sentence
307 examples of Fluid in a sentence
The screenplay is
fluid
and believable.
Wesley Snipes Plays Blade the vampire hunter with pure class, he kicks butt in such a
fluid
and violent way that would make Bruce Lee proud.
It's a very
fluid
and constantly interesting film.
I have reasons to love the great users of a camera;
fluid
direction of action lends itself to fast-paced adventure and comedy narrative; but such a skill, in the hands of a King Vidor or an Anthony Mann can also be applied to idea-level work.
Maybe it's the
fluid
movement of the characters.
In reality, Dr. Lorenz is responsible for the crimes, by putting the brides in a suspended state, and using their gland
fluid
to keep his wife eternally young.
Bela Lugosi is responsible for this, as he is extracting spinal
fluid
from these young women to transfuse his ancient wife and keep her alive.
Of course the camera work is
fluid
throughout, constantly on the move and incorporating hand-camera shots a-plenty, but director Lee fails to deliver thrills or suspense, falling down fundamentally by not making anything of the key protagonists in the film.
(I'll just guess that it's spinal
fluid.
Spinal
fluid
was all the rage of mad scientists in the 40s.)
In the meantime, there's music aplenty, as Parton, with her
fluid
vocal talents, belts out song after song (at least half a dozen of them about Texas).
Dr. Marsh(Jon Cypher), someone who Sam has known for quite some time as his physician, is to insert toxic green
fluid
into their bodies, I'm guessing to increase their levels of flame.
In one scene, the camera closes in on a gigantic 50-foot zit as a teenager squeezes pus and
fluid
out of it.
It's about a sadistic killer named Jack Frost who is sprayed with some acid
fluid
and is morphed into a killer snow man.
Bored attendants still run gas stations and doctors still make house calls and helpful police officers still show up with radiator
fluid
just when you need it.
The novelty of the story doesn't wear itself out, even after multiple viewings, but as
fluid
as the movements are, the film moves slowly.
I guess if a film has magic, I don't need it to be
fluid
or seamless.
Up until now I've only had a mangled scratchy jerky version taped off Dubai TV sometime in the '90's, with quirky English subtitles, dizzying widescreen coverage and a
fluid
colour with a mind of its own.
Gianfranco Transunto's glossy cinematography boasts a few
fluid
tracking shots and plenty of great atmospheric lighting.
There are so many dynamic
fluid
complexities and cleverness within the camera movements and cinematography; all of which perfectly gel with the intelligent, intense and immediate chemistry between the three leads, their story, the music and all the other actors as well.
It follows a narrative that is more
fluid
and interesting than anything I have seen lately in a Hollywood release.
The editing is perfectly paced, heightening the tension and complimenting the
fluid
camera work.
I actually enjoyed watching Bela Lugosi and his bizarre staff, including his wife who requires
fluid
from the glands of young would-be brides, an old hag, and her two bizarre sons, one a giant idiot, the other a comical dwarf(Angelo Rossitto from 1932's Freaks).
the levels are creative, there are
fluid
controls, and good graphics for its time.
Ray meets a Scientist (Linda Fiorentino) who develops some kind of drug that she thinks allows one rat to use the brain
fluid
of another rat in order to live that rats memories.
They attempted a hand to hand scene trying to pull off the Bourne and Asset fight off in the last movie, but it was too messy and not visually
fluid
like you would have expected.
The writer could have done something interesting with the idea, and said something vaguely interesting about fluid, non-polarised sexuality, but nah; instead he chose to ram the film so full of stock clichés about queers that it undergoes gravitational collapse.
My favorite is actually Sterling Hayden's theory about fluoridation of the water from DR. STRANGELOVE and the global commie plot to sap & impurify all of our precious bodily
fluid.
Ray Liotta as a forensic examiner who discovers he can experience and thereby solve his wife's murder by injecting himself with cerebral spinal
fluid
from those involved.
The movie is so elaborate as to depict a fundamental flaw in nature, a
fluid
flow of what is to become reality in itself.
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