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Expects in sentence

377 examples of Expects in a sentence

No one expects high art from a Chuck Norris film, but this one is one of his poorer outings.
Troll 2 offers everything one expects from a movie with its reputation: bad acting, bad dialogue, bad effects and best of all loads of entertainment.
Chaplin expects certain gratuities for standing up for her, and when none are forthcoming, he too absconds with her goods.
First and foremost, it has a loopy, loony, don't-take-me-too-seriously quality, augmented by the music (one almost expects an accordion from some French cafe to be playing in the background, as in Delicatessen or Amelie, but it's a bit more restrained than that), which absolutely belies the seriousness of what's actually taking place.
Notice the double standard of Kensit's character as she first has sex with a man (in exchange for something she expects but never gets) & then disapproves her friend's (Hurley's) going a bit "too far" after their burlesque dance routine.
It's beyond me how a religion expects to dopplegang a popular thing and make it suitable for their morales.
With the lackluster "The Village" as this film's predecessor it was time to look into a refreshing albeit familiar direction one expects of M. Night and after a year or so of waiting I finally saw it tonight.
There are few surprises in this one, as everyone goes through the motions as one expects they would in a movie like this.
Nonsensical event after nonsensical event, the director expects to raise some interest in the spectator with a bunch of dead fish, some "nightshot" camcorder pictures painted red, or the lame acting of all the actors (who, by the way, aren't even nice to look at).
They can't cram everything into one final hour, even though the audience expects them too.
Ken Russell has never been very nimble with actors, but one expects more fireworks with this large cast (they are largely posed and wooden).
Insulting that this guy Keoni Waxman actually expects people to sit all the way through this mess -- I sure didn't.
The movie expects people to laugh when heads are sliced off and when girls are cut into pieces with a fan.
Of course nobody expects logic in a ninth entry in a series but give us something.
The quality of the film, the incredibly cheesy story that tries in vain to be serious and the stable of actors one expects to see in a made for television movie.
There were a few humorous lines, but the viewer expects more laughs from a sex farce.
the movie and it's consistency with,the reality of such kind of religion originated community, is marvelous since you feel familiar most of the stages with the man you recognize which is rigidly religious.It is rare and very difficult to create such kind of complicated film especially for a director which had directed only moderate TV series in Turkey.He surpassed the expectation thanks to his talent and observation.Besides director, the casting and performance of the actors is impressive since they really overcame the difficulty of the performing the characters who are rare in community and which differs from society by small details.The way pilot flows is satisfactory but on the other hand,the simplicity of some parts of the movie, especially in final minutes,does not meet the expectation of the audience which expects the ultimate end.The issue director criticize is imagined untouchable for the conservative parts of society.according to me we should congratulate the courageous and objective view of director.it is a good film for whom are open minded and opposing.
Most of the plot is inconsequential and is really a catalyst for more carnal pleasures... Characters have the usual undeveloped back story elements that one expects from a poorly written film that serve only to frustrate the audience.
One expects more from Universal movie monsters than one gets here.
It has all the elements that are associated with postwar film noir, but it also has the gloss one expects from the "women's pictures".
I thought the most despicable character was Ilona who expects the world to revolve around her fingers, self-absorbed, manipulative, depraved, and unadaptable.
No one expects a movie with National Lampoon in the title to be high theater, but most National Lampoon movies are funny in a low brow way.
Some people still can't believe that anyone expects great acting, etcetera, from low-budget films, and shouldn't criticize anything without a big budget.
In Chabrol's film, such distinctions are so understated as to be lackluster, if not plain dull, a thematic failure that is only made the worse by characters who are lifeless and lacking in the telling character traits and hard-scrabble wisdom one expects of certain class types.
The problem with a film that is well shot is that one expects other production values to be good too.
Nobody expects it to be "Chip" but they don't realize it is until later...
The footage clearly shows the plane making a direct hit, almost a bullseye into the tower, but the narrator claims "it barely hit the tower" And the director expects me not to believe my own eyes?
The viewer has no idea what is going on or why, and in a turn of events that shows just how utterly moronic this script is, Seagal and his female partner Jacqueline Lord kill several perfectly innocent Cape Town cops and security people who were just trying to protect the bank that these two were (inexplicably) robbing, yet the film apparently expects us to continue regarding them as the good guys (!!!), because they are trying to save a black kid and his mother.
As for the mystery, well, after the tale told by Atwill about what occurred in the Blue Room all those years ago, one expects an explanation by the film's end but this aspect is never properly resolved (nor is the business about the stranger who breaks into the mansion): instead, we get a 'twist' ending which had actually occurred to me as I lay watching the film but had subsequently dismissed as being too obvious!
And you are left asking questions throughout, like a whodunit expects you to.
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