Directors
in sentence
1215 examples of Directors in a sentence
I can't even imagine what must have been running through the
directors
head when he did this movie... without any doubt, this is the worst horror movie I have ever seen in my life!
Where some
directors
would have piled the sentimentality on, David Lynch is economic; that's all it needs, so that's all it gets.
A true stroke of genius by the writers, directors, producers, and Annie herself to use the real Annette throughout the movie and to use her real family during Gina's wedding.
I heard one reviewer say that this film is a "Bubby Movie," yah know one of those films where every actor is friends with every other actor and the director (or in this case directors) and they all basically just dick around on camera for 2 hours and call it a movie.
Don't Forget that one day with any luck there will be a movie and with any luck it will be with the original cast and
directors.
Producers of these films obviously spent a lot of money on stars, sets, costumes, locations, equipment, etc.
Directors
of these films actually had good story to work with.
In an attempt to dazzle the audience by interweaving the past with the present using slick editing techniques, the
directors
weaken the credibility of the story as well as confuse the audience.
As much as I was surprised by Christian Slater I felt the exact opposite about Elisha Cuthbert, how she continues to get roles amazes me, I guess there are
directors
and producers that are just so mesmerized by they way she looks that they are fooled into thinking she is anything but god awful.
The
directors
name is Goth?
Now Lou Costello was no saint; he was known to have a short fuse, he and Abbott fought bitterly on occasion and even went for months at a time without speaking to each other off the set, he gave many of his
directors
a lot of trouble and he had a habit of "appropriating" furniture and props that he particularly liked from the sets of his pictures.
It's sad that
directors
with no talent use odd cinematographic techniques in an attempt to disguise the film's inadequacies.
It may be useful to study for amateur
directors.
Even some
directors
seemed to be affected by the curse of 1979 - Steven Spielberg, for instance, made his only fully-fledged turkey in the shape of "1941".
"The Insider" is a masterpiece.I only saw it because Al Pacino was in it;the theme really wasn't very interesting for me(I though that was the usual "political-correct" film against tobacco),but then came the big (big!) surprise;I found myself seeing an incredible good film.It has wonderful performances by(of course)Al Pacino ,Russel Crow,Christopher Plummer and Diane Venora.It's one of that strange cases when the theme of the film isn't very interesting , but the film is so well made that you enjoy it like if it would have the most interesting theme possible.Michael Mann shows that is one of the best directors;making an absolutely absorbing film ,starting with a non much interesting theme ;it has nearly hypnotic moments (the most of them when Al Pacino and Russel Crow are having a phone conversation).It's so absorbing that the 2 hours and a half of it seems like lees than 1 hour.I can't say what's the best thing the film has,why?;because it's all;the performances, the dialogues,the locations (with incredible shadows and lights in everyone),the direction,etc.So, if you want to see one of the best films (if not the best )of 1999,see this masterpiece.
This operatic action movie abounds with nods to various directors: Woo, Coppola, Godard, Tarantino, Penn, they're all there.
I'm sorry to have to say such things about a film made by one of my favorite
directors
but I could have waited to see it on T.V. OUCH!
It's almost as though the new blood
directors
are shouting "look at me" rather than "look at my story."
George Bessudo rabidly joins the already flooded list of Nazi
directors
who are so predictable it boggles the mind.
The execution is first rate, with a terrific cast, good production values (music, editing, photography), and inventive visuals from
directors
Boris ("The Omega Man") Sagal, Barry ("Across 110th Street") Shear, and Steven Spielberg (in his maiden effort).
antonio baderas is high in my list of today's most promising
directors
and this film shows the perspectives he has as a director.. any way you should go see this movie and don't let its rating stop you from watching it because it almost did it to me and now i realise how i would have regretted had i not rented this movie instead of an other
The most fascinating aspect to A CRUDE AWAKENING is that the film was made not by some left-wing conspiracy theorists with ties to Greenpeace or The World Wildlife Fund, but by two Swiss directors, one (Gelpke) with a background in anthropology, economics, war reporting, and science films, and the other (McCormack) who holds an honors degree in Environmental Policy and Management.
Imagine all those talented dancers, choreographers and
directors
all there together in one movie: The Champions, Fosse, Robbins, Donen, Burton Lane, Ira Gershwin, etc. (Brilliant lyrics!
I hate to say this about the man who gave us Who's Afraid of Virginia Woolf?, but Mike Nichols tends to be one of the dullest
directors
in Hollywood.
Of course, American
directors
don't have the guts to display this kind of truth.
I fine apocalyptic films interesting as a rule, but the
directors
over the top use of the color orange was distracting.
Even some of the widely acclaimed
directors
in the genre, like Dario Argento or Sergio Martino, never managed to include this much genuine tension in their masterpieces.
You can provide work for shoe salesmen to be actors and for plumbers to be
directors.
I recommend this movie to all who haven't seen what Indian
directors
are capable of.
Now in 2006 two
directors
in Switzerland make A Crude Awakening - The Oil Crash, a painstaking documentary about the frighteningly central role of oil in our lives.
This movie, and every other remakes of french comedies by American
directors
are just awful (Father's day, Mixed Nuts, Three fugitives...).
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