Directors
in sentence
1215 examples of Directors in a sentence
The two central characters particularly shine in the darker moments in the film, the combination of there acting and the
directors
ability to create such a tangible atmosphere creates some truly gripping scenes.
It features film
directors
playing participants in a high stakes card game, supported by recognizable faces from TV and movies like Woody Harrelson, Richard Kind and Ray Romano, all them improvising in an attempt to recapture the magic of a Christopher Guest style opus.
Victor Fleming adds life and mobility to the camera that many
directors
were struggling to find through the cramped constraints of the early talking picture.
Jeff Lieberman is quickly becoming one of my favorite unknown
directors.
He had done cinematography for several Fellini films as well as for
directors
Stanlry Kramer, John Huston, Arthur Hiller and Edward Dmytryk.
Few
directors
have succeeded in creating a truly personal cinematic poetry of their own.
If it wasn't for the fact that the male and female leads had triangle ears and long bushy tails, they would've been mistaken for Mickey and Minnie Mouse (maybe Walt Disney did and threatened to sue so Leon Schlesinger told his cartoon
directors
Hugh Harmon and Rudolf Ising-former Disney animators-to stop making Foxy cartoons).
Then I see signs for Maine, Arostook County, etc. etc. and I'm like, apparently the
directors
think a Maine accent and a Southern accent are one and the same.
"Wilbur" is the product of some fringe studio that goes out of its way to hire cinematographers whose use of light and space make actors look like lumps of ordure on screen, scriptwriters who are one grade above monkeys trained to bang on keyboards,
directors
who suffer from cognitive retardation and can't grasp three dimensional space or movement, and actors who are desperate to appear in any piece of drek, no matter how dreadful.
Maybe they changed
directors
mid-stream, or there was a death among the principal technicians and someone else had to edit or whatever.
You just feel sorry for the actors, technicians and investors while you're miffed at the
directors
and producers.
I've no doubts that militaristic enthusiasts enjoy this movie, but it got lousy actors,
directors
and camera people.
It is great entertainment if you like the old time Classics and great acting and
directors.
With "Petulia" his dependence upon the work of superior Contitnental European
directors
was nearly total.His work wasn't mere "Hommage",it was multi - sourced plagiarism (there's no such thing in Art of course, it's merely "In the school of"...).
I can never understand how this kind of stuff can get made or where these writers or
directors
heads are when they think this stuff up.
I found the
Directors
comments about each scene fascinating, especially the information regarding Edward Curtis the well known photographer.
Every one of these
directors
has their own take on the Dark Knight.
This film was a work of joy for director Billy Crystal and his love for the project shows in every shot and especially in the
directors
commentary.
A very good film- I also enjoyed the
directors
other work abou Gould- he has a knack for typing music and stories together.
Though the main focus of the movie is the weather, there doesn't seem to be much knowledge about how the weather works among the producers, directors, and writers of this film.
I wonder, don't actors,producers,screenwriters and
directors
care about what kind of movie that they make.
I love the "Masters of Horror" series and the opportunity it creates for experimental "little movies" for we who love horror and for the
directors
in question.
Oh, how I love this, the movie that introduced me to the work of Juan Piquer Simon, one of the best "bad
" directors
ever.
Technically this movie is very cheap (many
directors
of comedy genre does not take care of a good cinematography etc).
Action
directors
can't direct action by themselves.
All this is handed down to us by an extremely heavy-handed director (Giovanni is responsible for writing some of the best scripts in French cinema and should have left directing to directors), complete with lines such as "People will march on the streets!" and Gabin's final judgment on society "It's a killing machine".
From beginning to end it makes all of the classic film mistakes that most
directors
try to avoid.
I guess I have seen three or four hundred 'first films' of young American
directors
in the last couple of decades.
This is only the second film from Tonino Ricci I've watched, but I can already safely say he's one of Italy's worst horror/exploitation
directors!
Alejandro is clearly one among the most talented
directors
of the new generation.
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