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Direction in sentence

4264 examples of Direction in a sentence

Rajkumar Santoshi's writing and direction proved that he is one of the best directors in the industry.
Great script, unsurpassed acting and direction that neither approaches the sentimentalism the subject tempts nor leaves it without the emotional impact it demands.
Everything else like costumes, art direction, and recreating the era of America in 1941 is perfect.
Although the direction hit a snag here or there it seemed the only problems were with an underdeveloped script.
Vicente Aranda is a master of atmosphere and the art direction, the costumes and the photography are extremely well put together to achieve a pleasing aesthetic experience.
Carpenter manages to deliver the shocks as well as the mystery needed to keep the film heading in the right direction.
From this familiar beginning, we move in an unexpected direction.
I think that each aspect of the film - the direction, the acting (though the character's performances are more likened to stage or free-form performance because of the nature of the film...) the production, the FX, the score/sound design - all are far superior to many films I've seen that exceed these kids budget and experience ten-fold.
Left troubled and with no direction, Pixote gets taken into a child asylum with other adolescents from the street.
Good direction and a strong cast do justice to Steve Tesich's brilliant script; the dialogue isn't as snappy as in "Breaking Away", but the themes of growing up and father-son conflict are dealt with just as well, and there are still a few wonderfully comic moments among the shocks and drama.
The costumes, sets, production, and direction of the movie are also quite wonderful.
As much as I like Lionel Jeffries and his films, his direction just lacked the wonder and the magic it usually does.
Great acting, gripping story, and wonderful direction all add up to one of the best BBC dramas in years.
This film predates the Australian films Road Warrior and Priscilla of the Desert, and its influence on them is obvious: in the dialogue, locations, photography, direction and political philosophy.
The direction is stylish and for the most part well done.
The direction also reminds this reviewer of Edgar Wright's contemporary work.
Rob Bowman's direction is crisp and sharp, the episode looks just as fresh now as it did almost a decade ago.
This is definitely an outstanding 1944 musical with great young stars and famous veteran actors under the direction of Charles Vidor.
Superb direction by Peter Horton creates the perfect mood and setting for each scene and draws the viewer into the various emotions affected by friendship, illness, prejudice and the final parting of two friends who fought hard to overcome adversity.
Melville's direction impressed me and the cast is very good, especially Alain Delon as a very "cool" master thief.
But, the acting is mediocre, the direction is confusing, and the script is just odd.
One thing I love about this movie is the direction, because mainly on how it surpassed my original expectations.
However I love the direction because all of it's shots seem predictable, but arn't.
I loved the direction, Sutherland, just a very fast paced and interesting movie.
From the opening scenes of FIERCE PEOPLE (an interplay of tribal customs as photographed by the anthropologist father of the young narrator Finn Earl, demonstrating why this South American tribe of Ishkanani is so fierce) the direction of the film is nebulous: are we watching a dark comedy about comparing life in the New York streets to uncivilized peoples, or is this a message film of a more serious intent?
The plot is great, well told, the story magnificent, the direction, the atmosphere, the music, every things are perfect!
Carpenter's direction as always is excellent as his camera glides through the lonely world of the characters whose inhabitable environment is about to be corrupted by the primordial fear of body takeover.
I gave this movie a 7 because I have to admit it was enjoyable, I laughed a lot and found Tom Everett Scott to be so silly that at first I wanted to dislike his performance only to end up liking it...go figure...Julie Delpy was competent as was the direction it's the script that lacked a bit of shine & finesse.
This is a surprisingly effective movie that at the end leaves you asking questions about your direction and not so much the movie.
"Tommy" was over the top and heavy handed in direction, "Oliver" seemed like crowd control on the silver screen, "The Wall" was so much abstract self important and indulgent dribble, but listening to "Failure of the Flesh" from Hair sounds right for our times today, as it did in the eighties, as it must have in the sixties...truly Timeless.
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