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Decade in sentence

4218 examples of Decade in a sentence

Although inevitably linked to the 70's decade, the concept of "exploitation-cinema" is actually nearly as old as cinema itself.
I know it was almost a decade and half between them but it's hard to see much of the magic in the original Hammer Dracula in this late entry to the Christopher Lee series.
Once upon a time Theresa Russell made a few halfway decent movies, so I keep hoping that one of her efforts from the past decade or two will merit a rating of at least 6 or 7 (out of 10).
Cheap, gloriously bad cheese from the 80's, the decade of cheese.
The first thing you ought to realize is that this film has absolutely nothing to do with the classic Love Affair later in the decade with Charles Boyer and Irene Dunne or the two remakes that followed.
Admittedly, the only reason I watched this film -- since it's been about a decade since it was released -- was because of Ian Holm; I was intrigued to see his portrayal of my second-favorite character in this play.
But unfortunately, it was made in the decade that had no idea about how a horror movie was supposed to look or act.
The title song is the most annoying song of the decade, I'm the Neil, I'm the man, rock star superstar.
But changing times and her own failings caught up with her, and by the end of the decade, her heyday was over.
Several of these supposedly suspenseful moments were haunted by some of the worst cg you will see this year, perhaps decade!
I didn't see it for a decade then decided what the hell, let's see.
The most worthless film of the decade.
First of all, the 80's were not a good decade for crime and thriller genre.
Although he would eventually recover and live another decade and a half, here he looks like a dying man.
Worse film in the decade?
Both handle about cursed men that turn into large animals at night, but the titular gorilla doesn't look half as threatening as the werewolf, even though the film got released a whole decade later.
At least it was a decade ago.
But even without this spectacular scene, I am mildly recommending this film just for the fact alone that it's fairly watchable and never dull no thanks to an incredibly energetic and attractive cast, many of whom would show up in various direct to video features in the remainder of the decade.
I guess the 50's were the Slimeball decade!
Having recently rewatched it on DVD, nearly a decade after its initial US release in 1997, it has lost none of its power, and one can see its influence on documentaries as diverse as Herzog's own recent Grizzly Man and Errol Morris's Academy Award winning The Fog Of War.
A semi-autobiographical tale of a young immigrant to America growing up amidst the turbulence of the 1960s, "Four Friends" follows the story of Danilo, an eastern European immigrant (the brilliant Craig Wasson), from his arrival in the United States through a decade that changed the American landscape.
He is arriving from Yugoslavia to meet his father, a man he has not seen in a decade.
The final sequence, easily one of the best of the decade, is simultaneously heartbreaking and delightfully ridiculous.
Baxter is a bit long in the tooth compared to his stolid performance in 42nd Street a decade earlier.
Francis Ford Coppola's masterpiece was a great ending for a golden decade of American cinema.
I am not a historian, but all the events that preceded the decade (a few being the violent deaths of major figures of the American political and cultural scenes, the racial struggles, the emergence of the 1960s counter-culture, the increase of violence and death in the streets...) seemed to influence the vision of filmmakers who were willing to dare, be different, and create entertaining and intelligent motion pictures.
I personally thought this was one of the best documentaries in the past decade.
Things were different in each succeeding decade as the cool innocence of the fifties broke into the Warmth of the Sun whitewater freedom and exhilaration of the electric sixties and then into the assertively innovative playtime and inventive evolutionary madness of the weird seventies.
Sir john Gielgud return's to his Wilde roots as lord Henry,and although about a decade too old for the role,he totally becomes the enigmatic,life loving cad and cynic that Wilde brought to life so meticulously in his novella.
I really liked this film, and seeing it again for the first time in at least a decade I was shocked at how good it is.
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