Contrast
in sentence
2680 examples of Contrast in a sentence
Of course Busby's numbers could never really be performed on a stage (they defy limits of gravity, for one thing), and they
contrast
terrifically with the realism of the tough, wisecracking non-musical scenes.
First of all, it's very funny indeed - in
contrast
to what lots of "official" reviews want you to believe.
The girls' bleak lives are shown in stark
contrast
to the bizarre excesses of Mardi Gras itself.
By contrast, the drug dealer's condo looks more like a string of Mondrians.
It's like Guzman is presented as somebody with a spine, this in
contrast
to her classmates.
Mark Strong as Knightley is not what I would have expected, but I enjoyed him very much: he strongly brings out the plain-spoken, practical side of the character, in
contrast
with Emma's affectations, and his choleric outbursts against Frank Churchill are quite funny.
It's tone offers a stark
contrast
to the often gung-ho attitude towards World War 2 that the media exhibits.
Yes, there is violence and nudity, but it is never gratuitous and is needed to
contrast
Tony Soprano, the thinking man's gangster, with the reality of the life he has been born to and, quite frankly, would not ever have left even knowing how so many of his associates have ended up.
The acting seems wooden and strangely sterile, but this is perhaps a result of its
contrast
with the visuals which must have been utterly breathtaking at the time of the movie's release, and which still impress today.
She is a terrific actress and this 70's film is a refreshing
contrast
to the often violent films of the period and or the disaster movies or adventure thrillers.
Like the other Cannon Movie Tales, this is a beautifully decorated period piece; every piece of cloth and jewel (both of which have major parts in this movie's plot) look fresh and new, and
contrast
with the plain clothes of the peasants.
I don't know whether Linklater or anyone else had a sequel in mind when they made Before Sunrise, but to me, one of the most amazing things about these sequels are how these two films visually
contrast
each other.
Close-ups of these awesome creatures just look flat and there is often only one creature in the cameras field, so there is no
contrast
of depth.
His sophistication is such a perfect
contrast
to the crudely good hero.
Kazan keeps the pace brisk, and there are lots of marvelous touches - the scenes between Widmark and Barbara Bel Geddes, who plays his wife and the scene in the police station show family life and work life and the relationships of average citizens, which is in sharp
contrast
to the lives and relationships of the low-lifes, portrayed by a menacing Jack Palance, his weak yes man, Zero Mostel, Tommy Cook, and Louis Charles.
Rob Roy, by contrast, is slightly less polished, but a better film by far.
The acting in the 21st century story is not compelling--perhaps this was a misfired attempt to
contrast
the technocratic rationality of this time with the barbarism of 1970.
Quite a
contrast
from his "Public Enemy" 2 years earlier.
In contrast, Rob Roy has grown on me over the years.
In total
contrast
to American slavery and the Jewish Holocaust's exposure, South Africans' struggles have been told by a mere two or three stories: CRY FREEDOM, CRY THE BELOVED COUNTRY (OK, Count it twice if you include the remake), and SARAFINA (did I miss one?).
Its imaginative content stands in
contrast
to very-strong realistic sets, costumes and set-design elements.
Conrads choice of colors and
contrast
between light and dark settings is a work of art.
It was so nice to see this film in
contrast
with all the crappy horror movies I see every day.
Columbo is sitting in a high-backed armchair facing the doorway (and us), contemplating the cupboard, and almost in silhouette due to the
contrast
in light.
Robert Taylor plays the upstart (in
contrast
to the usual young upstart, Taylor's character is middle aged, too), who wants to slaughter buffalo, and lures Granger into business with him.
That contrast, however, permits us to believe in the "conversion" of one young Nazi officer to an anti-Nazi stance.
The very realistic portrayal of police life in a city on the East German coast is a strong
contrast
to other crime movies or series.
The ending was also good, as it did not portray women as unreal, helpless, virginal romantics in
contrast
to many Hollywood movies.
In complete
contrast
to the opinions of the other review, this film actually was surprisingly good!
Not crisp, in
contrast
to "the Earth", where even a 5-line character leaves a mark.
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