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Commercial in sentence

1868 examples of Commercial in a sentence

Must have missed that commercial....somehow.
It has become customary for tired Hollywood producers to look for European art house successes which can be remade in a more commercial style.
I was frankly shocked to see something this good on commercial TV.
The one gripe I had was the constant and lengthy commercial breaks that thoroughly broke up the flow (well, I guess that's how they paid for it...).
Notwithstanding its popularity, just how bad a match for "Notting Hill" was Roger Michell? "Changing Lanes" was about as substantial as a studio thriller can be; somebody ought to give this guy at a good, commercial chiller that isn't masquerading as anything else.
Michel Gondry is a very respective figure in video, movie and commercial business.
due to commercial interruption when I usually change the station.
Alec Austen is a commercial artist and Naval reservist called to active duty in WWII.
While Chalte Chalte had more of a commercial film feeling, this movie is more like an art film.
Seeing the commercial for this movie, you know you'll be disappointed with the special effects.
Even the stupid commercial break gimmick is wrong; how many commercials did we see on the first day of the Iraq war?
Although is short and barely commercial, is a gem, a masterpiece of colour, rythm, music and words.
spellers, good luck in life, because after this movie, i'd be surprised if you were in a hallmark commercial.
Much more than a car commercial, Powder Keg explodes with energy, intelligence and heart.
I've always loved Farrah Fawcett, ever since I've seen "The Burning Bed", a couple of months ago I heard that she was going to do a movie for T.V., so I came on the internet and went here to IMDB, when the movie came on I thought it was not the best, but what commercial t.v.
Josie Bissett's boy could play in a Fisher Price commercial, Josie Bissett could play in Baywatch or Melrose Place(she does), her lover could not play in anything and her lover's wife could play in a South Park realistic movie(she could play Kenny).
I see every documentary I possibly can, including the big commercial hits like Fahrenheight 911, but TROOP 1500 is BY FAR the best one I can remember.
The 'parallel cinema' during the late '70s and early '80s produced several noteworthy films like 'Mirch Masala','Jaane Bhi Do Yaro', 'Masoom', 'Waisa Bhi Hota Hain', all of which were commercial successes.
This is just a rotten 100% commercial sequel.
From the opening, where four intrepid chimps wearing straw Mexican hats and serapes fly to Colorado on a commercial airliner to the breathtaking nordic stunts, this movie is a winner all the way!
The slime creatures look like turds from a toilet cleaner commercial.
As a purely commercial enterprise with no respect or consideration for the 1st film or its fans, we can only hope that all involved lost millions and that having lost their deposit they were forced to sell themselves into sexual slavery.
Beatrice Pullman is portrayed as the financial wizard in taking the idea to commercial success (something a black women was incapable of doing, see Madam C.J. Walker).
I just saw this movie on lifetime tonight; before this week seeing all the commercial for it on lifetime I would have never of knew it was out there to be seen.
When Reno tries to convince a gallery owner to front $500 for his latest painting in order to pay his bills, he is turned down; factor in the punk band that has moved in to the apartment beneath his (and never seems to stop jamming), and a commercial viewed on late-night TV (for a portable power-pack)...and it's not long before our disheveled, vulgar hero takes to the squalid New York City streets, decimating the wino population with a power drill.
He is not trying to be commercial.
Not only is it important historically for its political implications - not about tobacco, but about conflicts of commercial interest that control freedom of speech along the airwaves in the U.S.- it is a great story and it is true.
I'd see a commercial and think it would be terrible.
Whilst you can see the commercial logic in writing american characters into the lead roles, the unknown, ex-pat actors that Pratten cast, both deliver uncharismatic leaden performances and their characters are written in such a heavy handed, unsympathetic way that unfortunately this debut effort falls at the first hurdle.
The chase scene near the end looks like a car commercial.
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