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Comic in sentence

1260 examples of Comic in a sentence

The only redeeming quality are short bursts of humor "find me a microscope and a pair of tweezers", but these tiny moments of comic relief are far outweighed by the sophomoric action sequences.
There is no character development, which is not surprising, since the source is a comic book.
couldn't wait for it to be over.Randolph Scott is the headliner here,and Lloyd Bridges also stars.but for my money money Edgar Buchanan is the best of the bunch.Buchanan appeared in many westerns in his day,many times providing comic relief,as he does in this picture.i
The '60's cartoon was one of the funniest of its time, a good-natured satire of super hero comic books.
Rock" comic, and only Boris J. Badanov-style "bad guy" mustaches are missing from the Commies.
The other exceptions are Jonathan Firth's Arthur and Karen Hayley's Mabel, who are given enough latitude to deliver their lines with the true comic sense which Wilde intended.
Read the comic book it was based on for a much more entertaining experience.
The makers of this movie don't get it that what makes all the other such comic-turned-movies (x-men, superman et al.) ventures successful is that they all deviate from the original comic versions and adapt it to make it more watchable.
Uneasy to watch in places, it is no less than very well written, 2 of the stories having a darkly comic twist to them while the 2nd story a serious (and shockingly realistic) plot to it.
Carlos is perhaps not the most original comic, but the first series was amusing, his forthright comments and observations were fresh.
The brilliant Australian comic genius Barry Humphries had a rare failure with this uneven, and occasionally distasteful comedy, which was snatched back from release after only a few days.
The director does a good job of adding more comic relief with the 2 "supossed" PhD's.
Along with some ancillary Air Force personnel and a comic geek, they are in charge of a super-secret underground laboratory on the West Coast.
Also, a comic type dance number by RIDCARDO MANTALBAN, CYD CHARISSE and ANN MILLER if fun.
I found it to be an acceptable timewaster, but certainly not anything that would convince you of Abbott and Costello as comic geniuses.
Right from the outset, with the 'manic' thoughts of the stalker being relayed in comic fashion, we were laughing.
In need of work, straight man Bud Abbott (as Jack) and comic partner Lou Costello (as Dinkel) get the latter a job babysitting self-described "problem child" David Stollery (as Donald).
Totally implausible (at least Armageddon FELT like a comic book!
The visuals reminded me of a second rate TV movie, random white dog substituted for Dogmatix, embarrassing 60's BBC costumes, etc. Mainly though, I feel like the characters in the movie did not behave anything like the characters in the comic, and as a result I never felt willing to even try to forgive the poor look of the film.
Drifting around on bootlegs, sometimes thought an urban comic book legend, the first FF movie is pretty much as bad as everyone fears.
It is easy to see how the story could have been made to work, for the situation is an interesting one and loaded with comic potential.
In following Dylan Moran's star from the charming misanthrope bookstore owner in the surrealist sitcom Black Books, I could see his comic potential begging to be utilised in theater or larger cinematic avenues.
A montage prologue, quite obviously manufactured by the blessed maniacs who actually chose to distribute this thing, tries to convince us that the comic impact of this staggeringly incompetent bit of nothing is entirely deliberate.
Low budget entertainment based on myth, history and comic book entertainment.
And I enjoy Leslie Nielson's comic skills.
The plot details an abundance of comic and tragicomic episodes and outlandish adventures.
To some of us, director Ernst Lubitsch, adored for his underlying cheekiness and ironic comic touches, was rather wet when it came to picking material.
The whole thing was soporific, even the "comic" scenes were barely even worth a smile, let a lone a belly laugh.
Hitchcock totally reversed the ratio, using comic relief to occasionally pace the suspense.
Lewis attempts to pass for a child when boarding a train; he's successful, but the deception leads to a string of comic and romantic confusions.
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