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Column in sentence

284 examples of Column in a sentence

And then you go to the "Prevent" column.
In that column, you write down the answer to: What could I do to prevent each of these bullets from happening, or, at the very least, decrease the likelihood even a little bit?
One column, two sentences, a headline!
MB: So when we make sound, we use the vocal cords to take air from the lungs and then turn it into a vibrating air column in the throat.
OK. (High-pitched sounds) (High-pitched sounds) (Hooting) MB: So what he's doing is he's changing the shape and the length of the vibrating air column using rhythmic contractions of all the muscles to generate all those sounds that you're hearing.
It's a sort of Ann Landers' column writ large.
You know how YouTube has this column on the right that says, "Up next" and it autoplays something?
For example, "The Broken Column" uses symbolism, religious imagery and a ruptured landscape to reveal her physical and mental state.
By 2050, it’s going to be a column and will start to invert.
What's happening is, an art form is colliding with a given technology, whether it's paint on stone, like the Tomb of Menna the Scribe in ancient Egypt, or a bas-relief sculpture rising up a stone column, or a 200-foot-long embroidery, or painted deerskin and tree bark running across 88 accordion-folded pages.
Each of them has a single unbroken reading line, whether it's going zigzag across the walls or spiraling up a column or just straight left to right, or even going in a backwards zigzag across those 88 accordion-folded pages, the same thing is happening; that is, that the basic idea that as you move through space you move through time, is being carried out without any compromise, but there were compromises when print hit.
So the signature shape of a quartz crystal is a six-sided column with pointed tips.
It was written by Russell Baker, who used to write an "Observer" column in the New York Times.
It started with a blog, reporting from the front lines of my hospital bed, and it morphed into a column I wrote for the New York Times, called "Life, Interrupted."
Over the years, people from all over the world had read my column, and they'd responded with letters, comments and emails.
But he related to what I described in one column as my "incanceration," and to the experience of being confined to a tiny fluorescent room.
Instead of being made on the face of the cone, it's made at literally billions of little independent points along this narrow column in the air, and so when I aim it towards you, what you hear is made right next to your ears.
I said we can shorten the column, we can spread it out to cover the couch.
Because the sound is made in the air along this column, it does not follow the inverse square law, which says it drops off about two thirds every time you double the distance: 6dB every time you go from one meter, for instance, to two meters.
Now, I have a pretty unusual inbox because I'm a therapist and I write an advice column called "Dear Therapist," so you can imagine what's in there.
I wrote it based on all of the alternative narratives that I've seen over the years, not just in my therapy practice, but also in my column.
Increases in CO2 and a decline in pH are measured over the top 500 meters of the water column.
This is genuinely one of the most remote places on our planet, and we've impacted the top 500 meters of the water column.
So what if he were to consider a whole column of blocks at a time?
Considering one column at a time as the point of reference, Hedge can look to the left stack by stack to find the height of the tallest one, look to the right to find the height of the tallest one, and take the smaller of the two as the height the energy can fill up to.
If the result is higher than the column in question, subtract the height of the original column, and the result will be the number of units that column can hold.
If it's equal to or below the level of the column in question, the energy would spill off.
Hedge can apply that to an entire basin with a loop that starts on the left-most column and moves right, one column at a time.
For each column, he’ll run the same steps— look all the way left for the tallest, do the same to the right, take the lower height of the two, subtract the original column height, and increase the grand total if that number is positive.
And the same works if he says 3. Thanks to our diagonals, this is even true if he says 5. If he says 4, you can keep him on the color he’s already on by moving the length of a row or column.
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