Colour
in sentence
307 examples of Colour in a sentence
though the
colour
palette is similar to nightmare on elm street 4(both that film and the TV show were made the same year),this has more of a serious tone whereas the fims were progressively getting more and more sardonic and jokey.not a bad thing,i like freddy as the clown wise cracker.but
i very much enjoyed this film and strongly recommend this to people. it helped me see that racism is not right and that everybody is equal, their fate should not be determined by the
colour
of somebody's skin.
Verhoeven's overheated, over-egged melodrama is a delicious blend of Hitchcock and David Lynch, full of OTT eroticism and religious imagery and an awful lot of the
colour
red.
Sumptuous colour, spectacular sets, incredible, spot-on Miklos Rosza musical score that is perfect for each scene and mood.
I had remembered the musical sequences, the
colour
and the gorgeous fashion plate poses and clothes but the plot is weaker than the earlier Anna Neagle/Michael Wilding film Spring in Park Lane and Maytime doesn't stand up so well to the passage of the years.
Mankiewicz's New York City is a glittering flurry of art deco
colour
and movement, a fantasy world so completely removed from reality that even the business of underground gambling and criminal thuggery seems perfectly genial.
This was Kurosawa's first film in
colour
and he uses beautifully shocking hues, colours seen only in dreams.
Other effects he uses such as the
colour
and black and white in one scene much like Hitchcock and the girl with the red coat grabs attention and enhances the drama and meaning of the scene.
Locations,
colour
are spellbinding.
Really enjoyable with lots of colour, plenty of sexiness, some gory kills and minimal police interference.
There is hardly any
colour
and the print is atrocious!
The film's got a lot going for it -- wisecracking script, bright colour, great music, and moments of sudden shocking darkness amid a generally easy-going plot -- but while it's pretty good, it isn't Errol Flynn's finest hour, and it isn't among the greatest Westerns either.
It did capture very well the atmosphere of the time, when Britain emerged from monochrome into
colour
during the late 50's and early 60's.
The
colour
photography is gorgeous, and the cast is equally good.
The distancing of his henchmen is so vividly and quietly a thing of manhood's measure in Spanish terms that it quivers in the air on the the mesa above the plains and the leaching of
colour
is a pure masterpiece of mood that takes some seconds to notice happening
The use of
colour
and black and white does not correspond to the periods in time as I imagined initially and I ended up totally confused as to what time one was in.
A wonderful 1950s British war film, and in
colour
too!
I especially admired the visual texture of the film, employing a palate of over saturated colour, giving it a look of classic Technicolor (as Hollywood & Europe used in the 1940's,until the old IB Technicolor process was pretty much phased out in the late 1970's).
First, the set design and use of
colour
is as you have never seen before, lots of primary colours and wild, child like shapes and patterns, bit like a gingerbread house lit with neon.
This crazy unreal
colour
scheme should alienate but instead like some drug pulls you in.
The well-lit
colour
photography looks more natural than the jewel-like Gone with the wind colours of 1950s Jack Asher period, but it is still beautiful, and the Gothic sets and suitably melodramatic score are wonderful.
The set design,with it's use of pastel colours (as well as primary colours,as well)are a treat for the eye, as they seem to be lifted from period photo shoots of classic late 60's Playboy,as well as record sleeve covers from the late 1950's (especially the Martin Denny covers,with it's beautiful women & it's over saturated use of colour).
The audience can easily see that the film is set in the future due to the bright lighting and a blue overlay
colour.
It gives a sense that without
colour
in the world there is no emotion and people actions are now based on what a machine says rather that acting on human instinct.
The film is also about colour, every set piece has been designed to show bright neon colours - again dream like, but to others it just looks fake.
Khaila Richards has discovered that the baby she left in a cardboard box is still alive and lays claim to him, stating that he should not be raised by parents of a differing
colour.
As dear Oscar once said,"There is nothing so old - fashioned as being absolutely up - to - date".With its flowery shirts,flares,silly hair,crap
colour
and pointy collars,"Carry on behind" was on the button archetypal mid 70s - there was even an Austin Maxi.But,more than nearly any other "Carry on",it has aged badly.Like Don Revie's Leeds Utd and the Bay City Rollers it is best forgotten.
Therefore there has been no paucity in presentation and the screen fills up like a
colour
palette.
"Les Ordres" captures the gritty reality of working class Montreal with stark black and white footage, punctuated with occasional but effective
colour.
Many years ago this reviewer subscribed to fantasy-horror magazine 'Starburst', then in its infancy and rivalling 'Fangoria' for its lurid
colour
photos of blood, guts and exploding latex.
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