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Carriage in sentence

652 examples of Carriage in a sentence

And one woman stood there with this perfect carriage, her hands at her side, and she talked about the reunion of the 30 after the war and how extraordinary it was.
So what he had to do was take a piece of paper, roll it into the carriage, type his email or command and pull the paper out.
This is caused by carriage returns.
And our idea is to make the seating carriage very sculptural and out of wood and like a big boat sitting in this plaster room.
Riding into Rome on the carriage, they always had a companion whispering in their ear, "Remember, you're only human."
Because, for example, if I'm going to use the British synonym "hackney carriage" instead of "cab," I know that I'm going to be misaligned with most of you in the audience.
On a Thursday morning in July 2005, the bomber and I, unknowingly, boarded the same train carriage at the same time, standing, apparently, just feet apart.
Twenty-six precious lives were taken in my carriage alone, and I was almost one of them.
Digital money, like the horse and carriage, works pretty well, and the whole world economy is built on it.
In March 415, as Hypatia was traveling through the city, the bishop’s militia of monks dragged her from her carriage and brutally murdered and dismembered her.
The second big change is that, as all media gets digitized, the Internet also becomes the mode of carriage for all other media, meaning that phone calls migrate to the Internet, magazines migrate to the Internet, movies migrate to the Internet.
He renovated my carriage house when he was completely paralyzed, and unable to speak, and unable to breathe, and he won an award for a historic restoration.
God knows I tried to like this Swiss Cheese of a movie, but the story was too full of holes, some big enough to drive a horse drawn carriage through.
i got to just where they are in the train carriage and she says 'what about that drink now?' and smiles.
In 1881, the president travels to Dallas and is shot from a window while parading thru town in his carriage.
The baby carriage coming loose down the steps after its mother has been shot was later recreated in Brian d' Palma's The Untouchables.
But the subject is rather down to earth compared to the story about the Death carriage I was expecting.
Nonetheless, the baby carriage scene really demonstrates the discombobulated nature of RMT.
While THE PHANTOM CARRIAGE follows the order of Lagerlof's novel, THE STROKE OF MIDNIGHT is in some ways easier to follow.
This may sound unnecessarily cruel but LISTEN to the woman, and LOOK at her films of, say, the past decade: like a latter-day Bette Davis, there is an unmistakable brittleness to not only her carriage but to her very face and body, which here, despite the warm photography displayed throughout the film (perhaps its only saving grace), are done no favors.
My favorite part was when they are in the carriage, and you can tell there's no horse.
Baby-faced Finster robbed a bank and the money in the carriage rolled away and fell into Bug's rabbit hole.
In NYC, seaman Michael O'Hara (Orson Welles) rescues Elsa Bannister (Rita Hayworth) from a mugging & rape as she takes a horse & carriage through Central Park -and lives to regret it.
Nothing much happens, but the time passes exquisitely, and there are numerous sly jokes (my favorite is the carriage ride in the storm, which I find hilarious).
As I stepped from my carriage, the sight of my new school filled me with fear and apprehension, yet, I was swept with a wave of curiosity.
There's a housewife with a baby carriage and a businessman and a guy with headphones & shades sitting on the floor, seemingly oblivious to all.
At the moment, when a few helicopters flying over the head of the traveling family and they look up, I realized how deeply drawn I was into the movie and its very sad reality - so out of place seemed this modern technological machine compared to the mule-drawn carriage in a harsh landscape.
It begins with Charlotte sitting in a railway carriage rolling up a cigarette with a type of paper that wasn't on the market until after the war (i.e. with tapered corners).
Still in the carriage she then talks to a complete stranger who is obviously after personal information.
(The exact year the story takes place is never specified, but the costumes and the reference to a "new-fangled horseless carriage" would put it around 1905 or so.)
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