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Camouflage in sentence

50 examples of Camouflage in a sentence

He is interested in how we see as an animal, how we are interested in mimicry and camouflage.
They're butterfly specimens who have a natural camouflage.
So he makes these interesting conversations about realism and mimicry and our drive to be fooled by great camouflage.
I used kente cloth, I used camouflage, spandex, burlap, silks, satins and different patterns.
And you see that an octopus would stand out very easily there if you couldn't use your camouflage, use your skin to change color and texture.
But it's also made the sloths themselves a great habitat for other organisms, including algae, which provides a little extra camouflage, and maybe even a snack.
The firm Ennead clad the Utah Natural History Museum in Salt Lake City in copper and zinc, ores that have been mined in the area for 150 years and that also camouflage the building against the ochre hills so that you have a natural history museum that reflects the region's natural history.
I also wrestled in a t-shirt and camouflage pants because that's what I had in my closet.
So I ditched the t-shirt and camouflage pants, and Gator's new wardrobe was born.
And now watch the 3-D texture of the skin change to really create this beautiful, 3-D camouflage.
I would argue that dynamic camouflage is a form of "intelligence."
Well, let's think a little bit about other things besides camouflage that they can do with their skin.
And finally, you see the flamboyant cuttlefish in camouflage and it can shift instantly to this bright warning display.
What we have here is a sliding scale of expression, a continuum, if you will, between conspicuousness and camouflage.
Shown here, you see this octopus perambulating along, and then it suddenly stops and creates that perfect camouflage.
We can test this camouflage, like that cuttlefish you see behind me, where we pull the rug out from under it and give it a checkerboard, and it even uses that strange visual information and does its best to match the pattern with a little ad-libbing.
Here's a squid and a camouflage pattern.
Every individual species out there has more than a dozen shapes and sizes of those bumps to create fine-tuned, neurally controlled camouflage.
And this is all I struggled with, because I tend to camouflage my real feelings by trying to appear always happy and trying to make everyone else happy, too, by trying to fix their problems.
The boyfriend also tends to camouflage his feelings, so he appears like a lone, shiny white wolf.
And not uniquely but certainly, the octopus in Australia are masters at camouflage.
It's got these jewel-like light organs on its belly that it uses for a type of camouflage that obliterates its shadow, so when it's swimming around and there's a predator looking up from below, it makes itself disappear.
Not the fashionable, shaky MTV "cameraman needs Ritalin" type of camera work so many film-makers use to camouflage their lack of talent.
The main characters (the McNamara Twins) are sporting great moustaches and look so ridiculous in their camouflage dresses.
Since most review's of this film are of screening's seen decade's ago I'd like to add a more recent one, the film open's with stock footage of B-17's bombing Germany, the film cut's to Oskar Werner's Hauptmann (captain) Wust character and his aide running for cover while making their way to Hitler's Fuehrer Bunker, once inside, they are debriefed by bunker staff personnel, the film then cut's to one of many conference scene's with Albin Skoda giving a decent impression of Adolf Hitler rallying his officer's to "Ultimate Victory" while Werner's character is shown as slowly coming to realize the bunker denizen's are caught up in a fantasy world-some non-bunker event's are depicted, most notable being the flooding of the subway system to prevent a Russian advance through them and a minor subplot involving a young member of the Flak unit's and his family's difficulty in surviving-this film suffer's from a number of detail inaccuracies that a German film made only 10 year's after WW2 should not have included; the actor portraying Goebbels (Willy Krause) wear's the same uniform as Hitler, including arm eagle- Goebbels wore a brown Nazi Party uniform with swastika armband-the "SS" soldier's wear German army camouflage, the well documented scene of Hitler awarding the iron cross to boy's of the Hitler Youth is shown as having taken place INSIDE the bunker (it was done outside in the courtyard) and lastly, Hitler's suicide weapon is clearly shown as a Belgian browning model 1922-most account's agree it was a Walther PPK-some bit's of acting also seem wholly inaccurate with the drunken dance scene near the end of the film being notable, this bit is shown as a cabaret skit, with a intoxicated wounded soldier (his arm in a splint) maniacally goose-stepping to music while a nurse does a combination striptease/belly dance, all by candlelight... this is actually embarrassing to watch-the most incredible bit is when Werner's Captain Wust gain's an audience alone with Skoda's Hitler, Hitler is shown as slumped on a wall bench, drugged and delirious, when Werner's character begin's to question him, Hitler start's screaming which bring's in a SS guard who mortally wound's Werner's character in the back with a gunshot-this fabricated scene is not based on any true historic account-Werner's character is then hauled off to die in a anteroom while Hitler prepare's his own ending, Hitler's farewell to his staff is shown but the suicide is off-screen, the final second's of the movie show Hitler's funeral pyre smoke slowly forming into a ghostly image of the face of the dead Oskar Werner/Hauptmann Wust-this film is more allegorical than historical and anyone interested in this period would do better to check out more recent film's such as the 1973 remake "Hitler: the last 10 day's" or the German film "Downfall" (Der Untergang) if they wish a more true accounting of this dramatic story, these last two film's are based on first person eyewitness account's, with "Hitler: the last 10 day's" being compiled from Gerhard Boldt's autobiography as a staff officer in the Fuehrer Bunker and "Downfall" being done from Hitler's secretary's recollection's, the screen play for "Der Letzte Akte" is taken from American Nuremberg war crime's trial judge Michael Musmanno's book "Ten day's to die", which is more a compilation of event's (many obviously fanciful) than eyewitness history-it is surprising that Hugh Trevor Roper's account,"The last day's of Hitler" was never made into a film.
One of the first things you must understand are the catch phrases that camouflage the reality of the movie.
Brian De Palma's undeniable virtuosity can't really camouflage the fact that his plot here is a thinly disguised "Psycho" carbon copy, but he does provide a genuinely terrifying climax.
Secondly,the film is saturated with bad acting, senseless dialog, contemporary uniforms,weaponry and vehicles (check out the "U.S. troops" wearing Spanish Army camouflage uniforms, helmets - which are a direct copy of the old German M1944, poorly concealed by helmet covers and brandishing CETMEs -Spanish copies of the G3 7.62mm automatic rifles).
The erotic tension between the women, the intersexual and Mike Connors (and this reviewer) clearly trumps the need for camouflage as the floozies compete with the intersexual for the chance to caress Mike's big, hairy arms.
A killer drives around in a gold hearse, wearing camouflage and a motorcycle helmet, killing people with a powerful nail gun.