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Battle in sentence

2044 examples of Battle in a sentence

This film is about the battle of one's sprit.
Fritz Lang's German medieval saga continues in Die Nibelungen: Kriemhilds Rache (1924).Kriemhild (Margarete Schoen) wants to avenge her murdered husband, Siegfried.Her brother is too weak to bring the murdered, Hagen, to justice.Kriemhild marries Etzel, the King of the Huns (Rudolf Klein-Rogge).She gives birth to a child, and invites her brothers for a party.Etzel and the other Huns should kil Hagen, but he is protected by his brothers.We see a huge battle of life and death begins, and she sets the whole place on fire.Eventually Hagen is dead, and so is Kriemhild.These movies deal with great themes, such as revenge and undying love.Sure we have later seen some better movies made of those topics, but this was one of the early ones.
The rotoscoping (when done properly)adds an eerie lifelike dimension to the charecters and the final battle scene at the end of the film is fantastic.
In the immortal "Shaun of the Dead", we are introduced to a London where the slackers and the high-and-mighty alike are forced to battle flesh-eating, reanimated corpse versions of their friends and family.
The second half of the actual poem is a lot sloppier and a lot harder to tread through, until, that is, you get to the climactic battle scenes; only the Iliad's are better.
The battle scene was superb.
The final battle scene still to this day gives me chills and the ending always leaves me in tears.
It was magical and mystical, and the last scenes (the conflict beginning with the ghostly armour walking into battle) were my favourites.
As always David Suchet is impeccable as Hercule Poirot, the comedic highlight of the episode being Poirot's battle with a mosquito in the middle of the night, and Hugh Fraser is good as the rather naive Captain Hastings.
It tells the story of Riff Randell, adorably played by P.J. Soles, and the battle that she and her fellow students at Vince Lombardi High wage against their new repressive principal, Miss Togar.
We do get a tale that has a romance at its heart, but there is plenty of fun too: battle scenes (sort of), prison escapes, mistaken identities, swordplay, and the funniest line I've heard in years: "Only in Scotland would guests be announced by name at a masked ball."
The approach to Altair-4, the starship itself, the landing on the planet's alien surface, the descent via extensor stairs, the first view of the landscape, the approach of the rocket-sled, Dr. Morbius's house seen from without and from within, the underground complex and its wonders, the setup of the weaponry, the battle with the monster, the final approach of the unseen destroyer,the escape from the doomed planet--all these scenes are etched into the viewer's mind because we discover them along with the participants.
But here Miike, in his first and only co-screen writing credit no less, proves that he can deliver the goods on a post-modern soup of mythical fantasy conventions, and with it boatload of CGI, creature-effects and make-up, and an epic battle that is more like a "festival" than something out of Lord of the Rings.
But there can also be comparisons made to Star Wars, especially to the Gungan battle in TPM, and to the whole power-play between good and evil with similar forces.
Nimitz and two helicopter assault carriers, with supporting shore installations, were provided to complement this engrossing tale of a young sailor's battle with uncontrollable rage.
The story serves only for De Mille to hang some marvelous action sequences on, like the big Indian attack.Scenes like that are extremely well done.If you don't mind the somewhat over-the-top performances of the cast this is an very entertaining western.Look out for a very young Anthony Quinn essaying the role of an Indian brave who participated at the battle of Little Big Horn.This part got him at least noticed in Hollywood.
I found the last battle scene awesome!
As most viewers, I was highly impressed with the battle scenes, but the poignancy of the portrayal of the central character is what I consider to be the most sterling quality of the film.
She's ready to battle anyone, especially her father who is paying for her brother's boxing lessons.
Later comes a protracted battle with the Cheyenne.
The Magnificent final battle sequence, as the wonderful Sam Jaffe climbs laboriously up to the pinnacle of the temple to blow his bugle and warn the regiment, is simply grand.
An unconventional historical drama, with some fine battle scenes.
When the battle begins, the audience is already on the edge of their seats from everything leading up to it, and this final battle is even more intense than those from the other films.
This is continually changing between a ground battle between the rebel strike crew on land (including Han Solo, Chewbacca, and Leia), the battle raging on in space (including Lando), and a confrontation between Luke and the Emperor on the new Death Star, which leads up to another duel with Darth Vader.
It is really intense since the rebels constantly seem to be losing the battle that will determine the outcome of the war, and there seems to be no escape.
An overnight flight to Miami quickly becomes a battle for survival when Lisa ( Rachel McAdams) realizes her seatmate ( Cillian Murphy) is planning to use her as part of a chilling assassination plot.
It then becomes a battle for turf.
It's a quiet, slow moving, chess battle as they attempt to achieve trust.
The film covers about half the trilogy (Fellowship of the Ring and up to the battle of Helms Deep in the Two Towers) and moves at a good pace.
To create a good versus evil battle like never before.
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