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Appropriately in sentence

234 examples of Appropriately in a sentence

Lombard plays the role of Ann Krausheimer Smith, who believes she is married to David Smith, played well by the sharply dressed yet appropriately bumbling Robert Montgomery.
They hide out in a nunnery school and disguise themselves appropriately to avoid detection from the mob and the police.
By the time your eyes have moved to the area of interest on the screen and focused appropriately on the spot to be admired the insane editor has moved the shot!
After missing out on this innumerable times on TCM UK, I decided to check it out given its sci-fi/adventure/camp pedigree: I knew I’d be in for a thoroughly silly ride – but it was also astoundingly bad! Anyway, perhaps appropriately given the characters involved, the script rips off many sci-fi titles then of recent vintage – SOYLENT GREEN (1973), ZARDOZ (1974), LOGAN’S RUN (1976; to the extent that it was filmed on some of the self-same sets!), STAR WARS (1977), ALIEN (1979) and MAD MAX 2: THE ROAD WARRIOR (1981)!
Dorothy Dalton is appropriately sexless as Moran and not too attractive either.
A well-crafted score, appropriately based upon the action, is contributed by Hal Beckett.
The gunfight in the hold among the crates is especially idiotic and allows drunken viewers with friends in altered states also watching to contribute appropriately.
Most appropriately viewed on an extremely faded-to-orange 16mm print, although Betamax is a good alternative!
Director Ray McCarey relates the frantic comic shenanigans at an appropriately nonstop hectic pace and stages the broad slapstick gags with considerable gusto.
The production values for the movie are good, too, with appropriately fine costumes, settings and photography.
Writer/director Mario Costa ably crafts a sordidly compelling portrait of a severely sick and twisted piece of sniveling low-life work: the plot unfolds at a steady pace, the tone is appropriately gritty and serious, and the exciting action scenes are staged with real skill and brio (the shoot-outs in rock quarries are especially gripping and thrilling).
The sets are perfect and the cinematography is consistently appropriately creepy.
However, i'd also like to say It's shot well and has an appropriately aged look to it and it's worth a watch.
There are some truly great scenes: Eugene's sudden confrontations first with his gold-digging children's tv host girlfriend Virginia (an acidly pert Lois Chiles), then with his children; William S. Burroughs taking target practice in the barn and telling a story about a mysterious Jim; Maureen's boyfriend Chris proving himself by battling a shed full of wasps cloaked in a tablecloth and doily and old fedora; Howdy, Violet, Maureen and Chris all sitting on the couch (the latter three in appropriately lightweight summer garments, the former in a red blazer and black leather rock'n'roll gear) staring at images of deserts on the huge tv, and contemplating the future (the images were done by Bill Viola, who did the backdrop video installation for Nine Inch Nails' last tour).
The 1990s film with Anthony Hopkins and Debra Winger is rightly showered with praise, and I enjoyed it very much, but this TV original is just as good, and in some ways, more appropriately cast.
The image of the burning motel - a symbol of dislocation beset by destruction - is an appropriately weird ending for this strange but effective, startlingly imaginative, movie.
A subplot about a hulking neighborhood hound named Monster supplies a few extra belly laughs (Monster is voiced by some uncredited guy with an appropriately deep, growly voice).
As her boyfriend, Charles Bickford is appropriately virile,--he was apparently born craggy--and a perfect counterpart to the divine Garbo.
Rick Schroder was appropriately clueless as her son who also defended her in court, an example of how hard it can be in some circumstances for a child to accept the actions of a parent, no matter how criminal they may be.
Familiar guest star Mark Lenard, who went on to play Spock's dad Sorek as well as the Klingon commander in "Star Trek: the Motion Picture" is an appropriately grizzled, war-weary commander, a character who bears a striking resemblance to Laurence Olivier's Crassus in "Spartacus."
The story is good and solid, but appropriately silly, the jokes are hillarious, the puzzles are puzzling... you couldn't ask for more in an adventure game.
A bit later, there's Ray again, molesting Pia, not with the appropriately shaped trophy but a garden hose.
Costumes were done appropriately, and extras did a fabulous job.
Director and co-scenarist Paul Magwood (who later claimed the picture was edited without his involvement) doesn't give off the impression of having high regard for the '40s films his "Chandler" was borne from; his nostalgia is appropriately rumpled, but also bitter-tinged and somewhat indifferent.
I can't credit it, can't help but be suspicious, for that matter, of back alley payoffs to critics who are touting Annette Bening for an Oscar; the hole in the kitchen ceiling might be more appropriately attributed to her scenery chewing.
Actually, both are applicable in director Joseph Losey's wandering, meandering mess called "Boom", appropriately titled since tempers in the lush, luxurious setting are nearly ready to explode.
The three children (Tommy, Gus and Lola) are voiced appropriately but Robotboy is an exception.
Instead we get risibly bad song and dance sequences featuring picturesque beggars and whores, and the final alienation is accomplished by pulling back to reveal the action has taken place on a music-hall stage, appropriately enough for a production that's more Lionel 'Oliver' Blair than Brecht.
This is an engrossing story, worth telling, a quickly-paced and novel adventure that profits from a capital performance by Harris, fine turns from Wagner, Coburn, and Karen Black, along with Justin Henry as the snatched lad, with an appropriately whimsical score contributed by Wilfred Josephs, and top-notch cinematography by Frank Watts, with all footage shot in a beautiful autumnal Ontario province.
It stands out as a genre film, excelling in its portrayal of native American (or, more appropriately for its Canadian setting, "First Nations") culture and standing with "Black Robe" as a wonderfully photographed piece of Canoe Country and its culture (here, circa 1934).
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