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Agenda in sentence

2556 examples of Agenda in a sentence

Rather than advancing an agenda, the filmmakers just told the story, told it well and let the viewer think about it.
Especially such boyish girls, a couple so much so that you even get the feeling that lesbianism is on the agenda as well.
It is true... some scenes were over the top on emotionalism, shouting, etc., but what movie doesn't stress its agenda, genre or 'ax to grind'?
Big S isn't playing with taboos or forcing an agenda like, say Mencia or Chapelle (though I like them both).
The film's hero (and writer and director) is Simon Geist- a man "with an agenda."
But Camila has an agenda of her own, and a plan involving the seduction of innocent actress Julie (Lynn again) in a web of sexual mind games.
No hidden agenda.
For those interested in understanding Islam, this movie offers a generous and gentle outlook, without being pushy about the agenda.
Everybody has his or her own agenda.
I CAN'T believe the average rating here is close to 5. Anyone who says this movie is anything but awful is either mentally deficient or has an agenda.
The worst is that there is nothing literary left - not the first time a director's agenda betrays that they just don't get why literature exists in the first place.
In The Shape Of Things and Kissing Jessica Stein, one of the partners had another agenda from the start.
Mind you that might be on purpose: You get the feeling that the filmmaker had a rather set agenda and wanted the characters to be seen in a manichaean fashion.
Geraldine Fitzgerald, Sydney Greenstreet, and Peter Lorre are the above-mentioned strangers, each with an agenda that can be easily pursued by money.
There are no "good guys" in this movie (a quality shared with Spaghetti), but there are no real "bad guys" either, which is perhaps the movie's biggest flaw -- it's hard to figure out whom exactly one should be rooting for, but one of the characters helpfully states straight out the movie's agenda: There are no good or bad nations, only good or bad men.
Overall, the film may have been made to advance a political agenda, but it failed.
He goes from a snarling, foul-mouthed beast to a real sweetie, albeit one with a hidden agenda that is revealed much too soon (see the film).
The enemies, they were interesting having more than just one agenda.
That did cut the potential smarminess of the whole coming out agenda.
A friend of mine was hesitant to see this movie, because she'd heard that it pushes the agenda that divorce is never a good option for dealing with marital problems.
As it turns out, he was a soldier who was meant to be "the ultimate weapon" for the military with a specific agenda but after neglecting to give him the serum, the whole project went awry.
The second story centers on a director who gets held captive by a film extra with an agenda.
I kept thinking about Dana Rohrabacher or some other such conservative jock-fascist chameleon, using their obvious rock/pop music knowledge to advance the most un-rockin' conformist agenda possible.
Yes, the political agenda is impossible to miss(and the very end is almost insulting), but that is not surprising, given Redford's involvement.
The reviewer either never actually saw the entire film or had an agenda to sink it.
To cover the tracks of an agenda no group is left out of the scenery whether its gays, fat people, Christians, the Pope, Hindus, posh people, gypsies, Scottish people etc but the one group they have never made fun out of is Muslims.
As well, how dare Hollywood Pictures have the gall to advertise a horror movie when it is a lame excuse of a somewhat political agenda.
From the acting on impulse as some have said to the manipulating of the office of the president, to propel a sideways political agenda, to racial-profiling, finding, weeding out those who wish to kill Americans and dance and party all night afterward, I say, this was interesting.
Aldrich, once a filmmaker of merit, seems to have nothing on his agenda here except earning a paycheck (ditto cinematographer Joseph Biroc, who does some of the gloppiest, ugliest work I have ever seen in a major movie).
It's a film of big ideas, in particular about the folly of America's obsession with guns; presumably it's this liberal agenda that enticed an astonishing cast, each member of which is as bad here as they've ever been before (Jeff Daniels plays an arrogant businessman who gets away with murder; Joan Allen is the wife who leaves him to work for loopy billionaire Gary Sinise; they and four or five others get intertwined in a web of violence).
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