Adaptation
in sentence
1036 examples of Adaptation in a sentence
The only feeling that this
adaptation
excited in me was incredulity and also sympathy for Charlotte Bronte who is most definitely turning in her grave.
This film
adaptation
can be seen as nothing but a mockery of Ms. L'Engle's work of art.
Summer Holiday is the forgotten musical version of Eugene O'Neill's Ah Wilderness and deservedly so with the Broadway musical
adaptation
of Take Me Along.
For a similar reason, I watched this film
adaptation.
The film
adaptation
stays true to the book for a while, but meanders into the cinematic trap of love persevering through racism, sickness and death.
And what's up with all those video game scenes, just to remind us it's a "video game
adaptation"
?
Uwe Boll has done the impossible: create a game
adaptation
that stays at least somewhat true to the game; he has turned a game full of antisocial and offensive content into a movie full of antisocial and offensive content.
"Washington Square" is a flat, shabby
adaptation
of the short novel by Henry James.
There isn't one likable character in this
adaptation
due to poor acting.
Uninspired direction leaves a decent cast stranded in a handsome but bland adaptation, in which dialogue seems recited rather than heartfelt, and cash strapped appearances by the ghosts fail to round up any sense of awe or magic; Edward Woodward, as the Ghost of Christmas Present, wobbles around on stilts and seems to be doing an impression of Bernard Cribbins.
Amateurism best describes the film
adaptation
of the best-selling philosophical novel "The Celestine Prophecy", which follows the spiritual awakening of an out of work teacher in a mysterious village in Peru.
The
adaptation
of the original's characters seemed juvenile and usually proved to be horribly annoying.
This may be the worst film
adaptation
of a Broadway musical ever.
I'm guessing the writers have never read a book of any kind, much less a Dickens novel, and certainly not David Copperfield, and that they based their screenplay on another poorly written screenplay, possibly an
adaptation
of Copperfield, though just as likely anything else, from which they randomly discarded about a third of the pages and then shuffled the rest, along with some random pages from a screenplay that someone's eighth grade nephew had written for an English class, and for which he had received a failing grade.
The original playwright was actually the writer and director of the film adaptation; which comes as a double-edged sword.
I watched this film, along with every other
adaptation
I could get my hands on- including seeing plays- in preparation for some academic research.
In fact, the actor playing St.John in this
adaptation
played a passionate St.John while Scott is content to smash things or just stare at the ceiling (which he does all the time).
To me it was rather a disappointment, especially the combination of historical facts, fantasy and the main character's internal turmoil does not work at all (in Vonnegut's book Slaughterhouse Five and even in George Roy Hill's
adaptation
for the screen it does).
Watching it, I could turn the pages in my book and follow along, which is not as much fun when dealing with an
adaptation.
This version is a lesson as to what can go wrong if an
adaptation
is handled poorly, painful, mind-numbing schlock.
As an adaptation, it's more like a watered-down THE 39 STEPS than a true Wodehousian outing.
I don't blame the filmmakers for trying, but it takes an incredible amount of talent and circumspection to pull off the elusive Stephen King
adaptation
that works.
The script was a horrible
adaptation
of the book, and it felt like the actors were reading their lines, instead of actually saying them.
I must admit, there are few books with corresponding movies that I have actually read before seeing the cinematic
adaptation.
I'm not one of those die-hard comic book freaks who wants every
adaptation
of his precious "graphic novels" to be pitch-perfect - in fact I've never even read Modesty Blaise - all I wanted was a decent movie to watch.
(Released 4 years ago; not a peep of an
adaptation
since.)
Michael Bennett and Nicholas Dante's Broadway show ran for years, but evidence of its power and charisma is lost in this movie adaptation, which most likely stems from the choice of director (Richard Attenborough, as far from B-way as you could get) and lead actor (Michael Douglas, who plays a director-choreographer like a slimy corporate lawyer).
I had high expectations for this film in that it was said to be "very artistic" and was an
adaptation
of Shakespeare's The Tempest... but this was just an extreme letdown.
This movie is a perfect
adaptation
of the English Flick Unfaithful.
Like Alone in the Dark, it was also a film
adaptation
of a video game.
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