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Lots of support in this one for Young and Burke as the old, spooky haunted house genre serves as primary backdrop when Topper goes to the scene of the crime and then we get mixed identities, hidden panels, scores of red herrings pointing out everyone's guilt except for the killer but generously dosed with lots of amusing quips from Young, wise-cracking one-liners from Blondell in ghostly form, by-play between Burke and her maid, the underrated Patsy Kelly, and chauffeur/fraidy cat Eddie "Rochester" Anderson basically playing himself and hamming it up as only he can.
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