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Competently directed by Virgil Vogel, with a fanciful and intriguing script by Lazslo Gorog, handsome photography by Ellis Carter, admirably sincere acting from a solid cast (Agar is his usual reliably stalwart self while the lovely Cynthia Patrick makes for a charming heroine and Alan Napier has a grand time as an evil high priest), a steady, if less than stirring pace, nifty and impressive special effects (the matte paintings are beautiful), a properly eerie and claustrophobic atmosphere, funky monster make-up by Bud Westmore (the Mole People are truly gnarly-looking subhuman beasts), a rousing last reel revolt by the Mole People against their mean oppressors, and a surprisingly downbeat ending, this baby sizes up as a hugely enjoyable golden oldie fantasy horror picture.