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(this is firstly a function of Margaret Gibson's source story, which is told from the author's POV) At first you get squirmy and expect that the parallel this character articulates between her and drag queen Russell - "We're both crazy" - will be used as an excuse for the good old queer self-loathing, but in fact this is in a different tradition, that King-of-Hearts, madness-as-sentimental-symbol-for-nonconformity thing that was in vogue then.
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