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Boorman used the music of Wagner's operas most effectively in the relevant spots in the film- the sensual Prelude to Tristan and Isolde plays as Lancelot and Guenevere have their tryst in the forest, the spiritual, ethereal strains of the Good Friday/Holy Grail music from Parsifal plays as Parsifal himself encounters the Holy Grail and Siegfried's Funeral March from Gotterdammerung opens and closes the film as both the Sword Theme and the tragic motif of Arthur's heroic death.
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