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This is told in a most innovative way for its time, which makes it more regrettable that the film was handled as a pop extravaganza, when it was an innovative and puzzling product with a structure that demanded a more intellectual participation from the audience; and with an organic use of the flash-forward technique (proposed by its editor, Antony Gibbs), an anticipation device that would become common practice in later years (it is interesting to note that five years later the cinematographer of "Petulia", Nicolas Roeg, would direct Julie Christie in the horror drama "Don't Look Now", which contains a scene film editors often mention as an outstanding example of the flash-forward technique, a sex scene inter-cut with takes of the following scene, edited by Graeme Clifford).
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