Our powerful reaction to images, to the expression of emotion in art, to the beauty of music, to the night sky, will be with us and our descendants for as long as the human race exists.

And we hope to learn a lot about robot expression.

And you get even more of a boost when you add the full expression.

Attached to the facial bones that define our face's structure are the muscles that deliver our facial expression, our universal language of expression, our social-signaling system.

There's a beautiful statement on the screen that says, "Light creates ambiance, light makes the feel of a space, and light is also the expression of structure."

The writing is just horribly ridiculous and unrealistic (for example: Valjean tells Cosette that Marius was wounded in the barricade, and all she seems to care about is that Valjean finally accepted him), the acting of ALL the actors, except for the guy who portrays Gillenormand, is terrible (especially John Malkovich as Javert and Depardieu (spl?) as Valjean, with his one face expression), the characters have turned into something very weird (Valjean is in love with Cosette?! 'Ponine sleeps with Marius?! Cosette turns into a spoiled brat who wants to dance?! I'm sure that Hugo is turning in his grave...), the whole thing is full of plot holes (Gavroche never ages, the Thenardiers wearing nice cloths, Javert hears the "Vive la republic" and does nothing) and why the hell is Gavroche Marius' best friend?! and 'Ponine tells the gang to rob Cosette's house?

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