So this is another very serious problem, and the basic problem is prostitution, because there's not a whorehouse in America that's not known by the local officials, the local policemen, or the chief of police or the mayor and so forth.

He makes up for this by hanging out at the local whorehouse.

The film tells the sordid tale of how Sally gets tricked into working in a whorehouse, falls for a dope, and can't escape.

Ruth Roman, for instance, who has come with Stewart and his two companions (Jay C. Flippen and Walter Brennen, who plays Stewart's best friend), builds a saloon (a Hollywood front for a whorehouse) and tries to run the town's restaurant and hang-out place out of business.

Rafe traces Caleb to a remote whorehouse on the edge of town that's disguised as a mortuary and populated by luscious lady vampires led by the evil and alluring Madam Lilith (ravishing redhead Angie Everhart having a whale of a wicked time).

We see an assortment of colorful characters wanting a room such as: a weary hooker, a masquerading wife with her severely disturbed husband and frantic child, a father and daughter looking for a missing person, and a young Robert Englund who happens to be an arrogant patron of the local whorehouse... "Eaten Alive" is basically Hooper working off the success of "TCM" to a visually lesser extent... Every interior and exterior is obviously a set and, as I mentioned, the characters seem to role in, one after another, just to be killed off by the croc.

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