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Before that, Chaplin shows his genius (not an overused term for him!) in a beautifully timed house of mirrors sequence, a riotous destruction of a magician's disappearance-trick (Charley, hiding from the police, is already in the compartment in which the beautiful girl is supposed to materialize), and an even funnier sequence in which Charley releases rabbits, piglets, and pigeons from the magician's table.
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