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Shot very effectively in a style somewhere between Italian neo-realism, early Scorsese and even Cassavettes improv but with a flavor all its own, it doesn't matter that one of the plot twists is very obvious (so obvious, in fact, I'm not even sure that it's even meant to be a twist) because co-writer Paddy Considine is such a riveting yet natural presence in the lead: he's able to be genuinely threatening while keeping it absolutely real, creating a very believable monster.
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