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The film (if not its subject's life) is a catalogue of clichés: The miserable childhood, the penniless adulthood, the difficult love life, the threat of insanity, the critical incomprehension, the refusal to 'sell out' (possibly the most long-lived of romantic clichés, it's still thought to be relevant in the world of rock and roll) and the god-damned post mortem vindication are all present and accounted for.
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