Clearly in example sentence
Alexandre's affected and pretentious monologues have a kind of amusement value, of course, but the amusement wears thin as one comes more and more clearly to realize that Jean-Pierre Léaud is most likely not even acting and that, with absurd remarks like "un homme beau comme un film de Nicholas Ray", he really was just reproducing word-for-word opinions that were accepted as authentic and profound by the milieu in which he, along with the director Eustache, had been living for about ten years by the time of the making of the film.