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If the good guys and bad guys are too obviously pronounced for a serious film, and yes Sam Waterston's mustachioed, fur-clad villain is comic-opera (and not in the multi-leveled manner of Bill The Butcher from 'Gangs of New York'), and yes, the townsfolk do seem a touch 'Fiddler On The Roof' on occasions, then a few dozen serious films made since then, including 'Titanic' and the graceless 'Cold Mountain' (which bears certain similarities and is a notable failure in convincing qualities compared to this film) can be castigated for exactly the same reason.
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