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The fact that it was based on a Harlan Cohen book is telling, because rather than being a French film (strong on psychology and character), it's more like a John Grisham-esquire roller-coaster ride by numbers with ludicrous plot twists, flashbacks that update previous flashbacks, a predictable villain (as soon as his name is mentioned you think 'hmm, he'll be the bad guy!') and sets of mysterious stereotyped characters who seem to inhabit different movies.