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The characters are obnoxious stereotypes (black Chris Tucker type, Survivalist Chick, Topless Bimbos, Requisite Old Couple, Asian Tour Guide) whose interactions are marred by painful, trying-to-be-hip dialogues and mostly obvious stabs at humor (not quite as bad as "Cabin Fever," but still); the script has too much padding (the "rustling bush" scene, for example), and "Hatchet" winds up as typical as any postmodern slasher of the last decade, with its only distinguishing trait an expertly-calculated hype machine.
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