You’re on the trail of a werewolf that’s been terrorizing your town.

You’ve invited them to dinner with a simple plan: you’ll slip a square of a rare werewolf antidote into each of their dinners.

How can you divide the antidote into perfect fifths, cure the secret werewolf, and save everyone?

Cutting BE looks good at first, but that last cut takes a off a quarter of a quarter, leaving us with a portion of 3/16: just smaller than a fifth, and not enough to cure a werewolf.

This film probably would have been good,if they didn't use CGI (computer generated imagery)for the werewolf scenes.It made the creatures look fake and the werewolves looked cartoonish.CGI is great for certain effects like the dinasours in Jurassic Park or Twister.But when we see a film where the creature must look completely real,CGI is not the way to go.Look at An American Werewolf in London.No CGI.Just makeup and a mechanical creature and what you come up with was more realistic than what was shown in the sequel.This film did offer a few gags that was fun to watch and the humor in this movie seemed to have drawn me in but it's nothing more than a film that I thought was O.K.And that's not good enough.In my opinion,An American Werewolf in Paris doesn't hold up to the original.

There are some that I have enjoyed...Werewolf of London (1935, Stuart Walker), An American Werewolf in London (1981, John Landis)...and some that I have thought were okay but nothing special...The Wolf Man (1941, George Waggner), The Howling (1981, Joe Dante), Dog Soldiers (2002, Neil Marshall) are some examples...but overall, the werewolf sub-genre is not my favorite.

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