And the story is that Leopold Auenbrugger was the son of an innkeeper.

While the narrative runs to over 17,000 lines, it's apparently unfinished, as the prologue ambitiously introduces 29 pilgrims and promises four stories apiece, and the innkeeper never crowns a victor.

And he answered it by telling the story of the man who fell among thieves, and how religious authorities went the other way, and how their supporters in the congregation went the other way; but an unsuspecting, despised person came along, saw the man in need, provided oil and wine for his wounds, put him on his own transportation, and took him to the inn and asked the innkeeper, "Take care of him."

Travolta gives one of his breeziest and most likable performances as Michael, an archangel whose quiet existence at the home of a lonely innkeeper named Pansy (Jean Stapleton) is disrupted when Pansy reports Michael's presence in her home to a "National Enquirer"-like newspaper and the editor (Bob Hoskins) sends reporters (William Hurt, Andie McDowell, Robert Pastorelli) to the motel to check it out.

W. C. Fields and his frequent screen partner Alsion Skipworth appear in the second half of the film and shine in their roles as a small-town sheriff and innkeeper.

The innkeeper, as soon as he saw him off, wanted to bar the gate close, but the blanketers would not agree to it, for they were fellows who would not have cared two farthings for Don Quixote, even had he been really one of the knights-errant of the Round Table.

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