And the story is that Leopold Auenbrugger was the son of an innkeeper.

While the narrative runs to over 17,000 lines, it's apparently unfinished, as the prologue ambitiously introduces 29 pilgrims and promises four stories apiece, and the innkeeper never crowns a victor.

And he answered it by telling the story of the man who fell among thieves, and how religious authorities went the other way, and how their supporters in the congregation went the other way; but an unsuspecting, despised person came along, saw the man in need, provided oil and wine for his wounds, put him on his own transportation, and took him to the inn and asked the innkeeper, "Take care of him."

Travolta gives one of his breeziest and most likable performances as Michael, an archangel whose quiet existence at the home of a lonely innkeeper named Pansy (Jean Stapleton) is disrupted when Pansy reports Michael's presence in her home to a "National Enquirer"-like newspaper and the editor (Bob Hoskins) sends reporters (William Hurt, Andie McDowell, Robert Pastorelli) to the motel to check it out.

W. C. Fields and his frequent screen partner Alsion Skipworth appear in the second half of the film and shine in their roles as a small-town sheriff and innkeeper.

The innkeeper when he saw him go without paying him ran to get payment of Sancho, who said that as his master would not pay neither would he, because, being as he was squire to a knight-errant, the same rule and reason held good for him as for his master with regard to not paying anything in inns and hostelries.

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